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  <title>The Imaginative Universal</title>
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  <updated>2008-07-19T20:52:20.7637858-07:00</updated>
  <author>
    <name>James Ashley</name>
  </author>
  <subtitle>Studies in Virtual Phenomenology</subtitle>
  <id>http://www.imaginativeuniversal.com/</id>
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  <entry>
    <title>Concerning Samovars</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/ConcerningSamovars.aspx" />
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    <published>2008-07-19T20:48:36.574851-07:00</published>
    <updated>2008-07-19T20:52:20.7637858-07:00</updated>
    <category term="Notes from Terra" label="Notes from Terra" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Notes%2Bfrom%2BTerra.aspx" />
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        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="244" alt="samovar" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/ConcerningSamovars_14ED5/samovar_3.jpg" width="184" border="0" />
        </p>
        <p>
We have two in the house.  Passed down through the generations in my wife's family,
they currently sit in our living room as decorations, whispering to us of bygone times.
</p>
        <p>
          <br />
They once played a central role in the cultural life of the Russian emigre intelligentsia. 
Alexandra Kropotkin evokes images of this bygone world in her wonderful book on <a href="http://www.amazon.com/Russian-Hippocrene-International-Cookbook-Classics/dp/0781801311/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1216522964&amp;sr=8-1" target="_blank">Russian</a> Cooking: 
</p>
        <blockquote>
          <p>
Among Russians who have gone away to dwell in other countries, it is easy enough to
arouse mild attacks of homesick longing for Russian life and Russian flavors. 
But to launch the expatriate Russian soul on a really unbridled jag of nostalgia,
try mentioning our <em>vechernyi t'chai</em>, our evening tea.
</p>
          <p>
There is the magic phrase that reawakens all out dearest memories of home!
</p>
          <p>
When the samovar goes on the dining-room table, usually about 10 o'clock in the evening,
the entire family gathers for the most intimate kind of get-together.  This is
the hour of comfortable relaxation, with old and young meeting as equals in talk,
drinking innumerable glasses and cups of tea while wandering conversationally into
all fields of anecdote and gossip, of thought and speculation.
</p>
          <p>
The babies and younger children are in bed.  The adolescents feel grown up. 
The oldsters are sure of an audience.  And guests always drop in.  It is
perfectly correct for friends to drop in, uninvited, for evening tea at any time between
10 P.M. and midnight.  The lady of the house is not expected to set out anything
special for company.  There is no fuss or formality.  The scene is cozy
and homelike.  When you come for evening tea, you take potluck with the family.
</p>
          <p>
The dining-room table is covered with an embroidered tablecloth.  Beside the
lady of the house, at her right hand, the steaming samovar stands on a little table
of its own.  Or if there is no side table, the samovar will be standing directly
on the dining-room table, with the hostess peeking around it to see and take part
in whatever is going on.
</p>
          <p>
A small china teapot fits into a metal fixture on top of the samovar.  The hostess
herself has measured tea leaves into the china teapot, has brewed the tea with boiling
water from the samovar, and has set the pot of tea on top of the samovar to keep on
brewing.
</p>
          <p>
The tea is made as strong as household supplies permit.  A few drops of this
strong tea from the small china pot will be poured into each cup or glass, which will
then be filled with hot water from the samovar.
</p>
          <p>
Tea glasses in metal or silver holders that have handles, like American ice-cream-soda
glasses, are set out for the men.  In Russia the men drink tea from glasses,
adn the women drink tea from cups.
</p>
          <p>
...
</p>
          <p>
On our evening tea table are plates of cold cuts and plates of sliced cheese. 
We don't serve fish at evening tea unless the season is Lent, or when times are particularly
hard.  The bread basket offers slices of black bread and slices of white. 
Unsalted butter is on the table in a pretty dish ... Plenty of sweet things will be
arrayed in front of us in any case.  There will be homemade preserves, crystallized
fruits, fruit confections known as <em>pastilla</em>, and the semi-jellied fruit candies
that Russians call <em>marmelade ...</em></p>
          <p>
At <em>vechernyi t'chai</em>, it seemed that the tea was consumed endlessly, most
Russians taking it with thin slices of lemon.  The hostess always sliced the
lemon herself with a special silver knife.  After cutting the lemon she always
held the knife for a moment in the steam from the samovar to prevent the knife from
tarnishing.
</p>
          <p>
Everyone at the tea table had a plate and a small saucer, usually of cut glass. 
The saucer was for preserves, which you either ate with a spoon or put into your tea. 
Many Russians like preserves better than sugar as a sweetening for their tea. 
After years in America it still irks me not to be able to find saucers of the right
size for preserves to go with Russian tea.  We call these saucers <em>blewdichki
dlia vareniya</em>.  They are about 3 inches across.  Very few Russians
take milk or cream in their evening tea.  They take it that way on for breakfast.
</p>
        </blockquote>
        <p>
The best breakfast in the world, of course, is a hot bowl of <a href="http://en.wikipedia.org/wiki/Ph%E1%BB%9F" target="_blank">pho</a>,
which is a part of <em>my</em> cultural heritage.  My mother makes it for us
whenever she visits, and I generally have it for lunch at least two or three times
a month.  Nevertheless, the best time of day for ph? is the morning.  It
includes a strong beef broth for protein, noodles for carbs, and spices to help you
wake up as well as a variety of herbs, bean sprouts and citrus.  
</p>
        <p>
Andrea Nguyen has written an excellent series of <a href="http://www.vietworldkitchen.com/bookshelf/articles/pho_SJM.htm" target="_blank">articles</a> about
pho for the Mercury News which covers the history and the rituals surrounding the
flavorful soup.  She even provides a recipe, though it is a bit of a lark since
few people will have the patience to actually try it out.  It requires some unusual
herbs as well as long hours of boiling bones and meat for the broth.  My mother
typically boils two chickens (either Vietnamese or Thai chickens, since she says American
chickens have no flavor) as well as a large beef bone for about 8 hours until the
meat has practically disintegrated into the broth.
</p>
        <blockquote>
          <p>
Garnishing pho is like putting together your own hamburger -- you can have it your
way. So, before putting any pho into your mouth, add your own finishing touches. Then
dive in with a two-handed approach: chopsticks in one hand to pick up the noodles,
the soup spoon in the other to scoop up broth and other goodies.
</p>
          <p>
Your pho ritual may include:
</p>
          <p>
            <b>Bean sprouts:</b> Add them raw for crunch or blanch them first.
</p>
          <p>
            <b>Chiles: </b>Dip and wiggle thin slices of hot chile in the hot broth to release
the oil. Leave them in if you dare. For best fragrance and taste, try Southeast Asian
chiles such as Thai bird or dragon rather than jalapeños. Serranos are better
than jalapeños.
</p>
          <p>
            <b>Herbs:</b> Strip fresh herb leaves from their stems, tear up the leaves and drop
them into your bowl. Available at Viet markets, pricey <i>ngo gai </i>(culantro, thorny
cilantro, saw-leaf herb) imparts heady cilantro notes. The ubiquitous purple-stemmed
Asian/Thai basil (<i>hung que</i>) contributes sweet anise-like flavors. Spearmint
(<i>hung lui</i>), popular in the north, adds zip. [For details, see <a href="http://www.vietworldkitchen.com/essentials/herbs.htm">Essential
Viet herb page</a> on this site.]
</p>
          <p>
            <b>Lime:</b> A squeeze of lime gives the broth a tart edge, especially nice if the
broth is too sweet or bland.
</p>
          <p>
            <b>Sauces: </b>Many people squirt hoisin (<i>tuong</i>) or Sriracha hot sauce directly
into the bowl. I don't favor this practice because it obliterates a well-prepared,
nuanced broth. But I do reach for the hoisin and Sriracha bottles to make a dipping
sauce for the beef meatballs (<i>bo vien</i>).
</p>
        </blockquote>
        <p>
I typically do put both hoisin and <a href="http://polyglotveg.blogspot.com/2007/03/rooster-sauce.html" target="_blank">Sriracha</a> in
my soup because this is the way my mother has always made it for me.  Additionally,
I squirt some of each into a dipping bowl, pick out thin slices of rare beef out of
my soup bowl with chopsticks and alternate between dipping the slices in the chile
sauce and the sweet hoisin.
</p>
        <p>
Unlike the Russian tea ritual, the Vietnamese pho ritual is no time to talk about
politics or religion.  Eating soup is a serious business, and involves the constant
motion of chewing on noodles and preparing carefully for the moment when one swallows
one's noodles by synchronized hand motions, with the chopstick hand picking out pieces
of meat from the bowl and dipping them in the sauce dish, while the soup spoon hand
gathers more noodles to chase the slices of beef.
</p>
        <p>
Talking generally resumes after the meal, as all participants look with satisfaction
at the empty soup bowls and the pieces of discarded herbs and sprouts strewn across
the table.
</p>
        <p>
The Vietnamese are a coffee rather than a tea people, having been colonized by the
French rather than the English.  For breakfast I like a strong cup of coffee
with my pho, and I like to sweeten it with condensed milk.  A meal like this
generally leaves me full well into the dinner hour.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=2bec1b7c-a1f5-42b2-a6f8-ec41ea2e6c9a" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Hellboy 2: When Elves Go Bad</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/Hellboy2WhenElvesGoBad.aspx" />
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    <published>2008-07-13T13:33:31.166069-07:00</published>
    <updated>2008-07-13T17:46:52.0133538-07:00</updated>
    <category term="Recommended" label="Recommended" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Recommended.aspx" />
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        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="244" alt="hellboy" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/Hellboy2WhenElvesGoBad_E8D9/hellboy_3.jpg" width="182" border="0" />
        </p>
        <p>
          <a href="http://www.amazon.com/Hellboy-Seed-Destruction-Graphic-Novels/dp/1593070942/ref=pd_bbs_sr_3?ie=UTF8&amp;s=books&amp;qid=1215980239&amp;sr=8-3" target="_blank">Hellboy</a> is,
at its heart, a conceit that allows Mike Mignola, the comic book author,  to
riff on various horror and fantasy motifs by inserting a gun-toting, cigar-smoking
modern action hero (albeit one with a tail) into genres where he does not belong. 
The payoff in the comic books, sometimes successful and sometimes not, is simply in
seeing how events unwrap.
</p>
        <p>
There is a naturalness to adapting Hellboy for the big screen, since this is where
this type of action hero was originally born.  In Guillermo del Toro's hands,
what occurs is a reversal of the transposition Mike Mignola accomplishes in his graphic
novels.  We import into the action movie genre elements that do not natively
belong to it and see what happens.  As with the comic books, this is sometimes
successful and sometimes not.
</p>
        <p>
The original movie played with themes from H.P. Lovecraft's Cthulu stories. 
The monsters were beautifully realized using CGI effects, but the incomprehensible
horror that typically drove Lovecraft's stories were displaced.  They simply
cannot exist in a world that revolves around an indefatigable hero.
</p>
        <p>
The Hellboy sequel in turn plays, more than anything else, with Tolkien's elves. 
The elves in <a href="http://www.imdb.com/title/tt0411477/" target="_blank">The Golden
Army</a> are tall and filled with martial virtue.  They are also masters of magic,
and preservers of nature.  Part of the high concept behind Peter Jackson's production
of Lord of the Rings was to bring out the nature loving motifs in every elven design,
while highlight the industrial aspects of orc culture.  As <a href="http://www.nationalgeographic.com/ngbeyond/rings/influences.html" target="_blank">National
Geographic</a> (among others) points out:
</p>
        <blockquote>
          <p>
Tolkien's concern for nature echoes throughout <i>The Lord of the Rings.</i> Evil
beings of Middle-earth dominate nature and abuse it to bolster their own power. For
example, Saruman, the corrupt wizard, devastates an ancient forest as he builds his
army. 
</p>
          <p>
The Elves, in contrast, live in harmony with nature, appreciating its beauty and power,
and reflecting a sense of enchantment and wonder in their artful songs.
</p>
        </blockquote>
        <p>
Orcs, however, always exist in some sense as placeholders for modern men.  In <em>The
Golden Army</em>, del Toro asks what would happen if Tolkien's elves ever saw what
we have now become.  Del Toro's answer is that they would go to war with us in
order to preserve what remained of their world.
</p>
        <p>
Visually, we once again see the <a href="http://www.artcyclopedia.com/artists/bosch_hieronymus.html" target="_blank">Hieronomous
Bosch</a> inspired monsters we first glimpsed in <a href="http://www.panslabyrinth.com/" target="_blank">Pan's
Labyrinth</a>.  They are beautiful and horrible at the same time -- horrible
enough to justify Hellboy as a hero as he battles them, but so beautiful at times
that it seems a shame.  It is this second aspect of the film, and Del Toro's
constant affection for outsiders, that undercuts the film as a participant in the
action genre.  Instead, the battles become exhausting over time, and we wish
they would go away so we can enjoy the gentle details of Del Toro's exotic world which
have always been his specialty.
</p>
        <p>
          <a href="http://en.wikipedia.org/wiki/Hayao_Miyazaki" target="_blank">Hayao Miyazaki's</a> films
can be identified as another influence on the visuals and mood of this film. 
One of the monsters from <em>Hellboy II</em> seems to be pulled right out of <a href="http://www.amazon.com/Princess-Mononoke-Hisaya-Morishige/dp/B00003CXBK/ref=pd_bbs_2?ie=UTF8&amp;s=dvd&amp;qid=1215979115&amp;sr=8-2" target="_blank">Princess
Mononoke</a>.  The bestiary we encounter in the Goblin Market, likewise, recalls
the parade of grotesques from <a href="http://www.amazon.com/Princess-Mononoke-Hisaya-Morishige/dp/B00003CXBK/ref=pd_bbs_2?ie=UTF8&amp;s=dvd&amp;qid=1215979115&amp;sr=8-2" target="_blank">Spirited
Away</a>.  More than anything else, however, what is borrowed from Miyazaki is
the device of placing a child in the middle of the battle between good and evil. 
We are forced to see the world through the eyes of a child who finds both good and
evil to be ambiguous, which is the emotional location of all fairy tales.  In
Del Toro's film, Anna Walton performs this role as Princess Nuala, the sister to the
elf protagonist of the story who, with her big yellow eyes and zombie-like complexion,
is strangely affecting and sympathetic.
</p>
        <p>
All in all, the film is not successful -- not because it does not know what it wants
to be, whether action movie or heroic fantasy, but because there is nothing for it
to be.  These genres do not combine easily, and what we are left with instead
is a plotline and a set of overlapping genres that provide Del Toro with a canvas
upon which he paints detailed images that could not make an appearance in any other
way.  Those details were, for me, well worth the price of admission.
</p>
        <p>
The big question is what Del Toro will do when he gets his hands on a real fantasy
property.  He is slated to direct the highly anticipated Hobbit movie, with Peter
Jackson producing.  There is, of course, what the movie ought to be -- a continuation
of the epic fantasy genre, done with the same accomplishment that Jackson achieved
with <em>The Lord of the Rings</em>.  If <em>The Golden Army</em> is any indication,
however, this is unlikely to be what we will get.  Del Toro's recent interviews
point to the same <a href="http://www.salon.com/ent/audiofile/2006/10/12/conversations_toro/" target="_blank">conclusion</a>:
</p>
        <blockquote>
          <p>
I was never into heroic fantasy. At all. I don't like little guys and dragons, hairy
feet, hobbits -- I've never been into that at all. I don't like sword and sorcery,
I hate all that stuff.
</p>
        </blockquote>
        <p>
This is fine with me.  I've always been a fan of the <a href="http://www.imdb.com/title/tt0077687/" target="_blank">Rankin</a>/ <a href="http://www.youtube.com/watch?v=XSHLGnexe-w" target="_blank">Bass</a> cartoon
(with music by Glen Yarborough), and don't see any reason to try to improve upon it. 
Seeing Del Toro take another stab at twisting the genre to his own ends is well worth
waiting for.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=52537aa8-e9c0-49f6-824c-56c563e79df6" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>The Devil's Triad</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/TheDevilsTriad.aspx" />
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    <published>2008-07-09T16:51:59.572-07:00</published>
    <updated>2008-07-09T19:16:19.1817144-07:00</updated>
    <category term="Memes" label="Memes" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Memes.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="162" alt="brokenkeys" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/TheDevilsTriad_C955/brokenkeys_3.jpg" width="244" border="0" />
        </p>
        <p>
According to tradition, the tritone was called the Devil's Chord or the <em>Diabolis
in Musica</em>, a sound so dissonant and so <em>puissant</em> it was believed to be
capable of raising the Lord of Hell himself.  For this reason, in it's irrationality,
the Roman Catholic Church banned the Devil's Triad, on pain of excommunication. 
Today, of course, bands such as <em>Metallica</em> and <em>Black Sabbath</em> 
use the tritone on a regular basis with no adverse effects.
</p>
        <p>
The irrational is a powerful force that may be harnessed, dear reader, by those willing
play on the fringes of reality.  Three magical phrases, irrational yet powerful
and well known to the practitioners of the dark arts, can be invoked by anyone who
desires to kill a technical project they dislike.  Today, dear reader, I will
teach you these three phrases.
</p>
        <p>
But first, a word about motivations.  According to Nietzsche, the driving force
behind modern man's desire for power is, <em>tout court</em>, resentment.  We
all resent the guy who comes in the middle of a software project and starts making
suggestions about how to improve it.  As the new guy, in turn, we resent the
old and crusty way things are done, as if the way things are done is the <em>only</em> way. 
Resentment, in other words, is the mother of invention when it comes to technology,
and we each, in our own way, embrace it as we strive toward a new tomorrow. 
In a perfect world, we may all act as the angels, but in the real world, we may occasionally
be forced to make deals <em>ex inferis</em>.  Which is not to recommend what
I am about to teach you.  I ask you, moreover, to use these techniques judiciously. 
One should not call upon the powers of the underworld lightly.  But should you
find yourself in a situation where rational discourse is no longer possible, and rhetorical
brute force is required, then these phrases may be of use to you.
</p>
        <p>
          <strong>1. It's too complex.  It's not maintainable.</strong>
        </p>
        <p>
This is a wonderful phrase.  It is universally applicable since any useful piece
of code will end up being complex, and one can never overemphasize the incompetence
of one's peers when discussing maintainability.  And with luminaries like <a href="http://www.joelonsoftware.com/items/2008/05/01.html" target="_blank">Joel
Spolsky</a> and <a href="http://www.codinghorror.com/blog/archives/001137.html" target="_blank">Jeff
Atwood</a> backing you, how can you go wrong?  If you want to kill any technology
-- WCF, WPF, .NET Remoting, 3-tier architecture -- just invoke this magic phrase and
it will wither away.
</p>
        <p>
          <strong>2. It's not scalable. </strong>
        </p>
        <p>
Amazingly enough, this diabolical mantra can be called upon without any evidence. 
No one will ever turn around and ask you to justify your claim -- be it with a load
tester or anything.  Simply say these magic words and your enemies will cower
before you.  Anything cool -- like reflection, say -- will cause a certain amount
of performance degradation.  This is normal of course.  In software there
are always tradeoffs, and exchanging performance for other advantages such as robustness
and decoupling are the norm.  Unless, of course, you make trade offs impossible. 
The magic phrase "It's not scalable" instantly makes any trade off seem
impossible.  It's very well, after all, to lose 5 milliseconds on a transaction,
but what happens when you have a gazillion transactions?!!!  That's 5 milli-gazillion
units of time that you have cost the company, and time is money!  That's 5 milli-gazillion
dollars you've cost the company!   By golly, this solution is not scalable!
</p>
        <p>
          <strong>3. It will push us beyond our deadline.</strong>
        </p>
        <p>
"The solution you have provided is all well and good, and I mean neither to question
your integrity nor your intelligence, but given the fact that it is not maintainable
and not scalable, I fear that trying to implement it will push us beyond our deadline." 
I've never worked on a project that wasn't "time sensitive" and rarely on
one that wasn't needed "yesterday".  There's no better way to kill
an idea, even when it comes out of  the mouth of someone who refuses to say definitively
when a project will in fact be completed, than to say that it will push <strong>us</strong> past <strong>our</strong> deadline. 
I've seen this used when determining which architecture to use.  I've even seen
it used in determining which textbox control to use.  If you ever find yourself
in a position where you have an idea that is competing with someone else's idea, you
can quickly sweep your adversary's idea aside by invoking this occult phrase: <em>It
will push us beyond our deadline</em>.
</p>
        <p>
Why are these magic phrases never tested?  Why are they impervious to standards
of verifiability traditionally expected in other fields?  The reason is simple. 
Software development is always seen, from the outside, as a kind of magic, and any
successful project has at its heart some secret sauce, some magic code, that makes
it all possible.
</p>
        <p>
This is the magic unicorn principle.  At the heart of any successful application
stands a magic unicorn.  You feed it data, no matter how disorganized or moldy,
and it comes out the other end a rainbow.  Data in.  Rainbows out. 
It's beautiful in its simplicity.
</p>
        <p>
In my next post, I will demonstrate how to build a DIRO magic assembly.  Stay
tuned ...
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=9ff22913-04f2-41ce-919b-5adb5d6299ba" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Ajax AutoComplete Extender with WCF</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/AjaxAutoCompleteExtenderWithWCF.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,c2585fdf-a1af-411e-9985-e5f6761af9a8.aspx</id>
    <published>2008-07-07T00:23:31-07:00</published>
    <updated>2008-07-06T18:21:38.1043532-07:00</updated>
    <category term="Ajax" label="Ajax" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Ajax.aspx" />
    <category term="Recipe" label="Recipe" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Recipe.aspx" />
    <category term="WCF" label="WCF" scheme="http://www.imaginativeuniversal.com/CategoryView,category,WCF.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="193" alt="blackstone" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/AjaxAutoCompleteExtenderwithWCF_11C1B/blackstone_3.jpg" width="244" border="0" />
        </p>
        <p>
The problem with conjuring tricks is that they lose practically all their glamour
once you find out how they are done.  It's very cool to see David Blaine walk
down the street, do a few passes over his hand, and resurrect a fly which proceeds
to flee.  It's rather disappointing to do a google search and discover that in
order to prepare for this trick, the first requirement is that you freeze a fly.
</p>
        <p>
My trick is to make an <a href="http://www.asp.net/AJAX/AjaxControlToolkit/Samples/AutoComplete/AutoComplete.aspx" target="_blank">autocomplete</a> extender
from the Ajax Control Toolkit call a WCF service instead of an asmx service. 
For this recipe, I assume that you are already familiar with the autocomplete extender,
and that you are using Visual Studio 2008.  I warn you in advance -- my trick
disappoints.  It is so trivially easy that, once the technique spreads, it is
very unlikely to impress your colleagues at work, much less get you a date with a <a href="http://search.live.com/images/results.aspx?q=david+copperfield+claudia+schiffer&amp;form=QBIR" target="_blank">supermodel</a>.
</p>
        <p>
Start by creating a new web project called AutocompleteWCF.  Add a reference
to the <em>AjaxControlToolkit.dll</em>.  Open up the default aspx page that is
generated with your project, and add the following code to:
</p>
        <p>
          <span class="kwrd">
          </span>
        </p>
        <!-- code formatted by http://manoli.net/csharpformat/ -->
        <style type="text/css">

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.csharpcode pre { margin: 0em; }

.csharpcode .rem { color: #008000; }

.csharpcode .kwrd { color: #0000ff; }

.csharpcode .str { color: #006080; }

.csharpcode .op { color: #0000c0; }

.csharpcode .preproc { color: #cc6633; }

.csharpcode .asp { background-color: #ffff00; }

.csharpcode .html { color: #800000; }

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        <pre class="csharpcode">
          <span class="kwrd">&lt;</span>
          <span class="html">form</span>
          <span class="attr">id</span>
          <span class="kwrd">="form1"</span>
          <span class="attr">runat</span>
          <span class="kwrd">="server"</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;</span>
          <span class="html">asp:ScriptManager</span>
          <span class="attr">ID</span>
          <span class="kwrd">="ScriptManager1"</span>
          <span class="attr">runat</span>
          <span class="kwrd">="server"</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;/</span>
          <span class="html">asp:ScriptManager</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;</span>
          <span class="html">div</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;</span>
          <span class="html">asp:TextBox</span>
          <span class="attr">runat</span>
          <span class="kwrd">="server"</span>
          <span class="attr">ID</span>
          <span class="kwrd">="myTextBox"</span>
          <span class="attr">Width</span>
          <span class="kwrd">="300"</span>
          <span class="attr">autocomplete</span>
          <span class="kwrd">="off"</span>
          <span class="kwrd">/&gt;</span>
          <span class="kwrd">&lt;</span>
          <span class="html">ajaxToolkit:AutoCompleteExtender</span>
          <span class="attr">runat</span>
          <span class="kwrd">="server"</span>
          <span class="attr">BehaviorID</span>
          <span class="kwrd">="AutoCompleteEx"</span>
          <span class="attr">ID</span>
          <span class="kwrd">="autoComplete1"</span>
          <span class="attr">TargetControlID</span>
          <span class="kwrd">="myTextBox"</span>
          <span class="attr">ServicePath</span>
          <span class="kwrd">="Autocomplete.svc"</span>
          <span class="attr">ServiceMethod</span>
          <span class="kwrd">="GetCompletionList"</span>
          <span class="attr">MinimumPrefixLength</span>
          <span class="kwrd">="0"</span>
          <span class="attr">CompletionInterval</span>
          <span class="kwrd">="1000"</span>
          <span class="attr">EnableCaching</span>
          <span class="kwrd">="true"</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;/</span>
          <span class="html">ajaxToolkit:AutoCompleteExtender</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;/</span>
          <span class="html">div</span>
          <span class="kwrd">&gt;</span>
          <span class="kwrd">&lt;/</span>
          <span class="html">form</span>
          <span class="kwrd">&gt;</span>
        </pre>
        <p>
 
</p>
        <p>
This is the standard demo code that is shipped with the Ajax Control Toolkit Sample
Website.  I've simplified it a bit by removing the animations.  The only
significant change I've made is to change the ServicePath from <em>Autocomplete.asmx</em> to <em>Autocomplete.svc</em>,
the latter being the extension for a WCF service.
</p>
        <p>
The next step is to create our service and add a GetCompletionList operation to it. 
The easiest way to do this is to go to Add | New Item and just select the <em>Ajax-enabled
WCF Service</em> item template, but this would be so easy that it is hardly worth
doing.
</p>
        <p>
Instead, create a new WCF Service using the <em>WCF Service </em>Item Template and
call it Autocomplete.svc.  Visual Studio will automatically generate a service
interface for you.  Delete the interface.  We don't need it.  (To be
more specific, I don't know how to get this to work with an interface, so I'm just
going to ignore that it is possible.)
</p>
        <p>
Again, I am going to rip off the ACT sample app and just borrow the code from their
webservice and place it in our WCF service.  The WCF service class (<em>Autocomplete.svc.cs</em>)
will look like this:
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; color: black; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <p style="margin: 0px">
    [<span style="color: #2b91af">ServiceContract</span>(Namespace
= <span style="color: #a31515">""</span>)]
</p>
          <p style="margin: 0px">
    [<span style="color: #2b91af">AspNetCompatibilityRequirements</span>(RequirementsMode
= <span style="color: #2b91af">AspNetCompatibilityRequirementsMode</span>.Allowed)]
</p>
          <p style="margin: 0px">
    <span style="color: blue">public</span><span style="color: blue">class</span><span style="color: #2b91af">Autocomplete</span></p>
          <p style="margin: 0px">
    {
</p>
          <p style="margin: 0px">
 
</p>
          <p style="margin: 0px">
        [<span style="color: #2b91af">OperationContract</span>]
</p>
          <p style="margin: 0px">
        <span style="color: blue">public</span><span style="color: blue">string</span>[]
GetCompletionList(<span style="color: blue">string</span> prefixText, <span style="color: blue">int</span> count)
</p>
          <p style="margin: 0px">
        {
</p>
          <p style="margin: 0px">
            <span style="color: blue">if</span> (count
== 0)
</p>
          <p style="margin: 0px">
            {
</p>
          <p style="margin: 0px">
               
count = 10;
</p>
          <p style="margin: 0px">
            }
</p>
          <p style="margin: 0px">
 
</p>
          <p style="margin: 0px">
            <span style="color: blue">if</span> (prefixText.Equals(<span style="color: #a31515">"xyz"</span>))
</p>
          <p style="margin: 0px">
            {
</p>
          <p style="margin: 0px">
                <span style="color: blue">return</span><span style="color: blue">new</span><span style="color: blue">string</span>[0];
</p>
          <p style="margin: 0px">
            }
</p>
          <p style="margin: 0px">
 
</p>
          <p style="margin: 0px">
            <span style="color: #2b91af">Random</span> random
= <span style="color: blue">new</span><span style="color: #2b91af">Random</span>();
</p>
          <p style="margin: 0px">
            <span style="color: #2b91af">List</span>&lt;<span style="color: blue">string</span>&gt;
items = <span style="color: blue">new</span><span style="color: #2b91af">List</span>&lt;<span style="color: blue">string</span>&gt;(count);
</p>
          <p style="margin: 0px">
            <span style="color: blue">for</span> (<span style="color: blue">int</span> i
= 0; i &lt; count; i++)
</p>
          <p style="margin: 0px">
            {
</p>
          <p style="margin: 0px">
                <span style="color: blue">char</span> c1
= (<span style="color: blue">char</span>)random.Next(65, 90);
</p>
          <p style="margin: 0px">
                <span style="color: blue">char</span> c2
= (<span style="color: blue">char</span>)random.Next(97, 122);
</p>
          <p style="margin: 0px">
                <span style="color: blue">char</span> c3
= (<span style="color: blue">char</span>)random.Next(97, 122);
</p>
          <p style="margin: 0px">
 
</p>
          <p style="margin: 0px">
               
items.Add(prefixText + c1 + c2 + c3);
</p>
          <p style="margin: 0px">
            }
</p>
          <p style="margin: 0px">
 
</p>
          <p style="margin: 0px">
            <span style="color: blue">return</span> items.ToArray();
</p>
          <p style="margin: 0px">
        }
</p>
        </div>
        <p>
 
</p>
        <p>
A few things worth noting:
</p>
        <p>
1. Autocomplete does not implement the IAutocomplete Interface.  Even though
this is generated automatically, with the WCF Service item template, you should remove
it.
</p>
        <p>
2. The service contract has a blank Namespace explicitly declared.  
</p>
        <p>
3. The <em>ASPNetCompatibilityRequirements</em> attribute must be added to our class.
</p>
        <p>
 
</p>
        <p>
This takes care of the code that calls the WCF service, as well as the service itself. 
We now have rig up the web.config file.  If you've been working with WCF for
any length of time, then you know that this is where the problems usually occur. 
Fortunately, the configuration is fairly simple.  You need to set up an endpoint
behavior for your service that enables web scripting (much the way asmx web services
must be decorated with the <em>ScriptService</em> attribute in order to be called
from client-script).  You also will need to turn AspNetCompatibilityEanbled on
for the hosting environment.
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; color: black; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <p style="margin: 0px">
            <span style="color: blue">    &lt;</span>
            <span style="color: #a31515">system.serviceModel</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">        &lt;</span>
            <span style="color: #a31515">behaviors</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">           
&lt;</span>
            <span style="color: #a31515">endpointBehaviors</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">               
&lt;</span>
            <span style="color: #a31515">behavior</span>
            <span style="color: blue">
            </span>
            <span style="color: red">name</span>
            <span style="color: blue">=</span>"<span style="color: blue">AjaxBehavior</span>"<span style="color: blue">&gt;</span></p>
          <p style="margin: 0px">
            <span style="color: blue">                   
&lt;</span>
            <span style="color: #a31515">enableWebScript</span>
            <span style="color: blue">/&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">               
&lt;/</span>
            <span style="color: #a31515">behavior</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">           
&lt;/</span>
            <span style="color: #a31515">endpointBehaviors</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">        &lt;/</span>
            <span style="color: #a31515">behaviors</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">        &lt;</span>
            <span style="color: #a31515">serviceHostingEnvironment</span>
            <span style="color: blue">
            </span>
            <span style="color: red">aspNetCompatibilityEnabled</span>
            <span style="color: blue">=</span>"<span style="color: blue">true</span>"<span style="color: blue">/&gt;</span></p>
          <p style="margin: 0px">
            <span style="color: blue">        &lt;</span>
            <span style="color: #a31515">services</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">           
&lt;</span>
            <span style="color: #a31515">service</span>
            <span style="color: blue">
            </span>
            <span style="color: red">name</span>
            <span style="color: blue">=</span>"<span style="color: blue">AutocompleteWCF.Autocomplete</span>"<span style="color: blue">&gt;</span></p>
          <p style="margin: 0px">
            <span style="color: blue">               
&lt;</span>
            <span style="color: #a31515">endpoint</span>
            <span style="color: blue">
            </span>
            <span style="color: red">address</span>
            <span style="color: blue">=</span>""<span style="color: blue"></span><span style="color: red">behaviorConfiguration</span><span style="color: blue">=</span>"<span style="color: blue">AjaxBehavior</span>"<span style="color: blue"></span><span style="color: red">binding</span><span style="color: blue">=</span>"<span style="color: blue">webHttpBinding</span>"<span style="color: blue"></span><span style="color: red">contract</span><span style="color: blue">=</span>"<span style="color: blue">AutocompleteWCF.Autocomplete</span>"<span style="color: blue">/&gt;</span></p>
          <p style="margin: 0px">
            <span style="color: blue">           
&lt;/</span>
            <span style="color: #a31515">service</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">        &lt;/</span>
            <span style="color: #a31515">services</span>
            <span style="color: blue">&gt;</span>
          </p>
          <p style="margin: 0px">
            <span style="color: blue">    &lt;/</span>
            <span style="color: #a31515">system.serviceModel</span>
            <span style="color: blue">&gt;</span>
          </p>
        </div>
        <p>
 
</p>
        <p>
And that is all you need to do make the AutoComplete Extender work with a WCF service
instead of an asmx web service.  I told you it would be unimpressive.
</p>
        <p>
Of course, using a WCF service for Ajax has all the limitations that using an asmx
file for Ajax did.  First of all, you can't call a service that is in a different
domain than the page which hosts your client-code.  This is a security feature,
to prevent malicious code from redirecting your harmless javascript to something nasty
on the world wide web.
</p>
        <p>
Second, you can't call just any service from your client-side code.  The service
must be explicitly marked as something that can be called from client code. 
In asmx web services, we used ScriptService for this.  In WCF services, we similarly
use EnableWebScript binding property. 
</p>
        <p>
Now I feel like I've wasted your time, so here's a YouTube <a href="http://www.youtube.com/watch?v=s7Wvk-CVN-Y" target="_blank">video</a> of
David Blaine to make up for it.  And remember, David Blaine is to Chris Angel
what Daisy Duke was to Alexis Carrington.  It's an existential thing, and at
some point, you've just got to pick sides and stay put in a way that will determine
who you are for the rest of your life.
</p>
        <p>
Are you a David Blaine/Daisy Duke kind of person or are you a Chris Angel/Alexis Carrington
sort?  Do some soul searching and please let me know what you learn about yourself.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=c2585fdf-a1af-411e-9985-e5f6761af9a8" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>The Self-Correcting Process</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/TheSelfCorrectingProcess.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,4a7d6cd8-7e8a-4a25-8f51-faed44222b9e.aspx</id>
    <published>2008-07-05T22:26:15-07:00</published>
    <updated>2008-07-06T18:16:01.8768994-07:00</updated>
    <category term="Internet" label="Internet" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Internet.aspx" />
    <category term="Methodology" label="Methodology" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Methodology.aspx" />
    <category term="Technical Zeitgeist" label="Technical Zeitgeist" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Technical%2BZeitgeist.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="177" alt="carnival" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/TheSelfCorrectingProcess_F0F1/carnival_3.jpg" width="244" border="0" />
        </p>
        <p>
Science is all about making proposals that can be tested (especially after Karl Popper's
formulation of the <a href="http://plato.stanford.edu/entries/popper/" target="_blank">Falsifiability</a> Criterion),
and then undergoing the experience of having that proposal rejected.  This is
the essence of any successful process -- not that it eliminates errors altogether,
but rather that it is able to make corrections despite these errors so that the target
need never shift.
</p>
        <p>
Professor Alain Connes recently gave his opinion of Xin-Jing Li's proof for the <a href="http://primes.utm.edu/notes/rh.html" target="_blank">Riemann
Hypothesis</a> -- a proof which relies in part on Professor Connes' work -- 
in a blog <a href="http://noncommutativegeometry.blogspot.com/2008/06/fun-day-two.html?showComment=1215071400000#c8876982000013974667" target="_blank">comment</a> to
his own blog (by way of Slashdot):
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
I dont like to be too negative in my comments. Li's paper is an attempt to prove a
variant of the global trace formula of my paper in Selecta. The "proof"
is that of Theorem 7.3 page 29 in Li's paper, but I stopped reading it when I saw
that he is extending the test function h from ideles to adeles by 0 outside ideles
and then using Fourier transform (see page 31). This cannot work and ideles form a
set of measure 0 inside adeles (unlike what happens when one only deals with finitely
many places).
</p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
Self-correcting extends to other professions, as well.  Scott Hanselman recently <a href="http://www.hanselman.com/blog/BackToBasicsDoNamespaceUsingDirectivesAffectAssemblyLoading.aspx" target="_blank">posted</a> to
correct an opinion he discovered <a href="http://blogs.msdn.com/sourceanalysis/pages/sa1200-usingdirectivesmustbeplacedwithinnamespace.aspx" target="_blank">here</a> which
he felt required some testing.  Through his own tests, he discovered that nesting
a using directive inside a  namespace declaration provides no apparent performance
benefit over placing it outside the namespace.
</p>
        <p>
This leads him to draw these important lesson:
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <ul>
            <li>
Don't believe everything you read, even on a Microsoft Blog. 
</li>
            <li>
Don't believe this blog, either! 
</li>
            <li>
Decide for yourself with experiments if you need a tiebreaker! 
</li>
          </ul>
        </div>
        <p>
 
</p>
        <p>
The sentiment recalls Ralph Waldo Emerson's memorable words:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
There is a time in every man's education when he arrives at the conviction that envy
is ignorance; that imitation is suicide; that he must take himself for better, for
worse, as his portion; that though the wide universe is full of good, no kernel of
nourishing corn can come to him but through his toil bestowed on that plot of ground
which is given to him to till. The power which resides in him is new in nature, and
none but he knows what that is which he can do, nor does he know until he has tried.
</p>
            <p>
...
</p>
            <p>
Trust thyself: every heart vibrates to that iron string. Accept the place the divine
providence has found for you, the society of your contemporaries, the connection of
events.
</p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
A similar sentiment is expressed in Hobbes' Leviathan, though with a wicked edge:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
And as to the faculties of the mind, setting aside the arts grounded upon words, and
especially that skill of proceeding upon general and infallible rules, called science,
which very few have and but in few things, as being not a native faculty born with
us, nor attained, as prudence, while we look after somewhat else, I find yet a greater
equality amongst men than that of strength. For prudence is but experience, which
equal time equally bestows on all men in those things they equally apply themselves
unto. That which may perhaps make such equality incredible is but a vain conceit of
one's own wisdom, which almost all men think they have in a greater degree than the
vulgar; that is, than all men but themselves, and a few others, whom by fame, or for
concurring with themselves, they approve. <em><font color="#004080"><strong>For such
is the nature of men that howsoever they may acknowledge many others to be more witty,
or more eloquent or more learned, yet they will hardly believe there be many so wise
as themselves</strong>;</font></em> for they see their own wit at hand, and other
men's at a distance. <em><strong><font color="#004080">But this proveth rather that
men are in that point equal, than unequal. For there is not ordinarily a greater sign
of the equal distribution of anything than that every man is contented with his share.</font></strong> [emphasis
mine]</em></p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
We find it again expressed in Descartes' <i>Discours de la mÃ©thode</i>.
Descartes, it might be remembered, occasionally exchanged letters with Hobbes:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
              <em>Le bon sens est la chose du monde la mieux partagée; car chacun pense en
être si bien pourvu, que ceux même qui sont les plus difficiles à contenter
en toute autre chose n'ont point coutume d'en désirer plus qu'ils en ont.</em>
            </p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
Both Hobbes and Descartes formulate their defense of common sense somewhat ironically. 
In a recent post, Steve Yegge takes out the irony (or perhaps takes out the kernel
of truth and leaves nothing but the irony) in his argument against Joel Spolsky's
widely aknowledged <a href="http://www.joelonsoftware.com/articles/fog0000000073.html" target="_blank">criteria</a> for
a desirable employee: "smart, and gets things done."
</p>
        <p>
According to <a href="http://steve-yegge.blogspot.com/2008/06/done-and-gets-things-smart.html" target="_blank">Yegge</a>,
the crux of the problem is this:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
Unfortunately, <em>smart</em> is a generic enough concept that pretty much everyone
in the world thinks [he's] smart.
</p>
            <p>
...
</p>
            <p>
So looking for <b>Smart</b> is a bit problematic, since we aren't smart enough to
distinguish it from B.S. The best we can do is find people who we <em>think</em> are
smart because they're a bit like us.
</p>
            <p>
...
</p>
            <p>
So, like, what kind of people is this <b>Smart, and Gets Things Done</b> adage actually
hiring?
</p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
And yet the self-correcting process continues, on the principle that we are all smart
enough, collectively, to solve our problems in the aggregate, even if we can't solve
them as individuals.
</p>
        <p>
Presidential candidate Barack Obama recently held a news conference to correct a misunderstanding
he had made a few hours earlier about his stance on the Iraq War.  According
to <a href="http://www.cnn.com/2008/POLITICS/07/04/campaign.wrap/" target="_blank">CNN</a>:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
Obama on Thursday denied that he's shying away from his proposed 16-month phased withdrawal
of all combat troops from Iraq, calling it "pure speculation" and adding
that his "position has not changed." 
</p>
            <p>
However, he told reporters questioning his stance that he will "continue to refine"
his policies as warranted.
</p>
            <p>
His comments prompted the Republican National Committee to put out an e-mail saying
the presumed Democratic nominee was backing away from his position on withdrawal.
</p>
            <p>
Obama called a second news conference later Thursday to reiterate that he is not changing
his position.
</p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
This is, of course, merely a blip in the history of self-correction.  A more
significant one can be found in <a href="http://www.iep.utm.edu/b/bakhtin.htm" target="_blank">Bakhtin's</a><a href="http://en.wikipedia.org/wiki/Bakhtin" target="_blank">attempt</a> to <a href="http://www.amazon.com/Rabelais-His-World-Mikhail-Bakhtin/dp/0253203414" target="_blank">interpret</a> the <a href="http://artemis.austincollege.edu/acad/english/bbarrie/shakespeare/bakhtin_rab.html" target="_blank">works</a> of <a href="http://www.gutenberg.org/files/1200/1200.txt" target="_blank">Rabelais</a>,
and to demonstrate (convincingly) that everyone before him misunderstood the father
of Gargantua.  
</p>
        <p>
Bakhtin's analysis of Rabelais in turn brought to light one of the great discoveries
of his career: The Carnival -- though a colleague once found an earlier reference
to the concept in one of Ernst Cassirer's works.  Against the notion of a careful
and steady self-correcting mechanism in history, Bakhtin introduced the metaphor of
the Medieval Carnival:
</p>
        <p>
 
</p>
        <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
          <blockquote>
            <p>
The essential principle of grotesque realism is degradation, that is, the lowering
of all that is high, spiritual, ideal, abstract; it is a transfer to the material
level, to the sphere of earth and body in their indissoluble unity.
</p>
            <p>
...
</p>
            <p>
Degradation and debasement of the higher do not have a formal and relative character
in grotesque realism. "Upward" and "downward" have here an absolute
and strictly topographical meaning....Earth is an element that devours, swallows up
(the grave, the womb) and at the same time an element of birth, of renascence (the
maternal breasts)....Degradation digs a bodily grave for a new birth....To degrade
an object does not imply merely hurling it into the void of nonexistence, into absolute
destruction, but to hurl it down to the reproductive lower stratum, the zone in which
conception and a new birth take place.
</p>
          </blockquote>
        </div>
        <p>
 
</p>
        <p>
The Carnival serves to correct inequalities and resentments in society and its subcultures
not by setting it upon a surer footing, but rather by affording us an opportunity
to air our grievances publicly in a controlled ceremony which allows society and its
hierarchical institutions to continue as they are.  It is a release, rather than
an adjustment.  A pot party at a <a href="http://www.woodstock69.com/wsrprnt1.htm" target="_blank">rock
festival</a> rather than a <a href="http://www.cooper.edu/humanities/classes/coreclasses/hss3/g_sorel.html" target="_blank">general
strike</a>.
</p>
        <p>
As for the Internet, it is sometimes hard to say what is actually occurring in the
back-and-forth that occurs between various blogs.  Have we actually harnessed
the wisdom of crowds and created a self-correcting process that responds more rapidly
to intellectual propositions, nudging them over a very short time to the correct solution,
or have we in fact recreated the Medieval <a href="http://www.earlymodernweb.org.uk/emn/index.php/archives/2004/08/carnival-and-the-carnivalesque/" target="_blank">Carnival</a>,
a massive gathering of people in one location which breaks down the normal distinctions
between wisdom and folly, knowledge and error, competence and foolhardiness?  
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=4a7d6cd8-7e8a-4a25-8f51-faed44222b9e" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>The Apocryphal Employee and Some Apocryphal Books</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/TheApocryphalEmployeeAndSomeApocryphalBooks.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,091e2c91-fe9b-4f09-a06d-a9c5a92fc4f5.aspx</id>
    <published>2008-07-04T09:38:16.679-07:00</published>
    <updated>2008-07-12T08:16:40.4560175-07:00</updated>
    <category term="Notes from Terra" label="Notes from Terra" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Notes%2Bfrom%2BTerra.aspx" />
    <category term="tranzlashunz" label="tranzlashunz" scheme="http://www.imaginativeuniversal.com/CategoryView,category,tranzlashunz.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="221" alt="nancy" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/TheApocryphalEmployeeandsomeApocryphalBo_B1BA/nancy_3.jpg" width="192" border="0" />
        </p>
        <p>
Nancy Davolio was a fictitious employee in the Microsoft Access 97 Northwind sample
database.  Many office workers became smitten with her furtive smile and stylish
hair, and while she continued to exist as an employee in later releases of the Northwind
database, her employee photo changed, leading many to suspect that something untoward
had happened to the <em>real</em> Nancy.
</p>
        <p>
As most people know, "Nancy Davolio" is an anagram for "A Navy Cod
Loin", which provides a hint about her origins and eventual fate.  For a
list of further Nancy Davolio anagrams, I recommend the Internet Anagram Generator <a href="http://wordsmith.org/anagram/anagram.cgi?anagram=nancy+davolio&amp;t=1000" target="_blank">here</a>,
where may find more of the 1394 or so anagrams derived from Nancy's name, for instance:
</p>
        <blockquote>
          <p>
Cavil Noonday 
<br />
A Viand Colony 
<br />
A Divan Colony 
<br />
A Vainly Condo 
<br />
Canal Void Yon 
<br />
Canola Nod Ivy 
<br />
Canola Don Ivy
</p>
          <p>
Ado Van Coy Nil 
<br />
Vandal Coin Yo 
<br />
Vandal Icon Yo 
<br />
Vandal Coo Yin 
<br />
Vandal Coy Ion 
<br />
Avail Cony Nod 
<br />
Avail Cony Don
</p>
          <p>
And La Coy Vino 
<br />
And Oval Icy On 
<br />
And Oval Icy No 
<br />
And Oval Cony I
</p>
          <p>
            <br />
Avian Cold Yon 
<br />
Avian Clod Yon 
<br />
Avian Doc Only 
<br />
Day Van Cool In 
<br />
Day Van Loco In 
<br />
Day Van Con Oil
</p>
          <p>
Coda Via Nylon
</p>
        </blockquote>
        <p>
          <em>A Navy Cod Loin</em>, however, seems particularly significant, inasmuch as Rabelais
has a whole chapter devoted to playing on the word "cod".  Rabelais
was a master of lists, as well as a master of profanity.  It has often been suggested
that the French simply are much more versatile at cursing than we English speakers,
and there may be some truth to this, though you don't need to understand French to
enjoy Book III Chapter 28 of <em>Gargantua and Patagruel</em> (since I've found a
translation for you):
</p>
        <blockquote>
          <p>
"And if so be it was preordinated for thee, wouldst thou be so impious as not
to acquiesce in thy destiny? Speak, thou jaded cod.
</p>
          <p>
"Faded cod. Louting cod. Appellant cod. 
<br />
Mouldy cod. Discouraged cod. Swagging cod. 
<br />
Musty cod. Surfeited cod. Withered cod. 
<br />
Paltry cod. Peevish cod. Broken-reined cod. 
<br />
Senseless cod. Translated cod. Defective cod. 
<br />
Foundered cod. Forlorn cod. Crestfallen cod. 
<br />
Distempered cod. Unsavoury cod. Felled cod. 
<br />
Bewrayed cod. Worm-eaten cod. Fleeted cod. 
<br />
Inveigled cod. Overtoiled cod. Cloyed cod. 
<br />
Dangling cod. Miserable cod. Squeezed cod. 
<br />
Stupid cod. Steeped cod. Resty cod. 
<br />
Seedless cod. Kneaded-with-cold- Pounded cod. 
<br />
Soaked cod. water cod. Loose cod. 
<br />
Coldish cod. Hacked cod. Fruitless cod. 
<br />
Pickled cod. Flaggy cod. Riven cod. 
<br />
Churned cod. Scrubby cod. Pursy cod. 
<br />
Filliped cod. Drained cod. Fusty cod. 
<br />
Singlefied cod. Haled cod. Jadish cod. 
<br />
Begrimed cod. Lolling cod. Fistulous cod. 
<br />
Wrinkled cod. Drenched cod. Languishing cod. 
<br />
Fainted cod. Burst cod. Maleficiated cod. 
<br />
Extenuated cod. Stirred up cod. Hectic cod. 
<br />
Grim cod. Mitred cod. Worn out cod. 
<br />
Wasted cod. Peddlingly furnished Ill-favoured cod. 
<br />
Inflamed cod. cod. Duncified cod. 
<br />
Unhinged cod. Rusty cod. Macerated cod. 
<br />
Scurfy cod. Exhausted cod. Paralytic cod. 
<br />
Straddling cod. Perplexed cod. Degraded cod. 
<br />
Putrefied cod. Unhelved cod. Benumbed cod. 
<br />
Maimed cod. Fizzled cod. Bat-like cod. 
<br />
Overlechered cod. Leprous cod. Fart-shotten cod. 
<br />
Druggely cod. Bruised cod. Sunburnt cod. 
<br />
Mitified cod. Spadonic cod. Pacified cod. 
<br />
Goat-ridden cod. Boughty cod. Blunted cod. 
<br />
Weakened cod. Mealy cod. Rankling tasted cod. 
<br />
Ass-ridden cod. Wrangling cod. Rooted out cod. 
<br />
Puff-pasted cod. Gangrened cod. Costive cod. 
<br />
St. Anthonified cod. Crust-risen cod. Hailed on cod. 
<br />
Untriped cod. Ragged cod. Cuffed cod. 
<br />
Blasted cod. Quelled cod. Buffeted cod. 
<br />
Cut off cod. Braggadocio cod. Whirreted cod. 
<br />
Beveraged cod. Beggarly cod. Robbed cod. 
<br />
Scarified cod. Trepanned cod. Neglected cod. 
<br />
Dashed cod. Bedusked cod. Lame cod. 
<br />
Slashed cod. Emasculated cod. Confused cod. 
<br />
Enfeebled cod. Corked cod. Unsavoury cod. 
<br />
Whore-hunting cod. Transparent cod. Overthrown cod. 
<br />
Deteriorated cod. Vile cod. Boulted cod. 
<br />
Chill cod. Antedated cod. Trod under cod. 
<br />
Scrupulous cod. Chopped cod. Desolate cod. 
<br />
Crazed cod. Pinked cod. Declining cod. 
<br />
Tasteless cod. Cup-glassified cod. Stinking cod. 
<br />
Sorrowful cod. Harsh cod. Crooked cod. 
<br />
Murdered cod. Beaten cod. Brabbling cod. 
<br />
Matachin-like cod. Barred cod. Rotten cod. 
<br />
Besotted cod. Abandoned cod. Anxious cod. 
<br />
Customerless cod. Confounded cod. Clouted cod. 
<br />
Minced cod. Loutish cod. Tired cod. 
<br />
Exulcerated cod. Borne down cod. Proud cod. 
<br />
Patched cod. Sparred cod. Fractured cod. 
<br />
Stupified cod. Abashed cod. Melancholy cod. 
<br />
Annihilated cod. Unseasonable cod. Coxcombly cod. 
<br />
Spent cod. Oppressed cod. Base cod. 
<br />
Foiled cod. Grated cod. Bleaked cod. 
<br />
Anguished cod. Falling away cod. Detested cod. 
<br />
Disfigured cod. Smallcut cod. Diaphanous cod. 
<br />
Disabled cod. Disordered cod. Unworthy cod. 
<br />
Forceless cod. Latticed cod. Checked cod. 
<br />
Censured cod. Ruined cod. Mangled cod. 
<br />
Cut cod. Exasperated cod. Turned over cod. 
<br />
Rifled cod. Rejected cod. Harried cod. 
<br />
Undone cod. Belammed cod. Flawed cod. 
<br />
Corrected cod. Fabricitant cod. Froward cod. 
<br />
Slit cod. Perused cod. Ugly cod. 
<br />
Skittish cod. Emasculated cod. Drawn cod. 
<br />
Spongy cod. Roughly handled cod. Riven cod. 
<br />
Botched cod. Examined cod. Distasteful cod. 
<br />
Dejected cod. Cracked cod. Hanging cod. 
<br />
Jagged cod. Wayward cod. Broken cod. 
<br />
Pining cod. Haggled cod. Limber cod. 
<br />
Deformed cod. Gleaning cod. Effeminate cod. 
<br />
Mischieved cod. Ill-favoured cod. Kindled cod. 
<br />
Cobbled cod. Pulled cod. Evacuated cod. 
<br />
Embased cod. Drooping cod. Grieved cod. 
<br />
Ransacked cod. Faint cod. Carking cod. 
<br />
Despised cod. Parched cod. Disorderly cod. 
<br />
Mangy cod. Paltry cod. Empty cod. 
<br />
Abased cod. Cankered cod. Disquieted cod. 
<br />
Supine cod. Void cod. Besysted cod. 
<br />
Mended cod. Vexed cod. Confounded cod. 
<br />
Dismayed cod. Bestunk cod. Hooked cod. 
<br />
Divorous cod. Winnowed cod. Unlucky cod. 
<br />
Wearied cod. Decayed cod. Sterile cod. 
<br />
Sad cod. Disastrous cod. Beshitten cod. 
<br />
Cross cod. Unhandsome cod. Appeased cod. 
<br />
Vain-glorious cod. Stummed cod. Caitiff cod. 
<br />
Poor cod. Barren cod. Woeful cod. 
<br />
Brown cod. Wretched cod. Unseemly cod. 
<br />
Shrunken cod. Feeble cod. Heavy cod. 
<br />
Abhorred cod. Cast down cod. Weak cod. 
<br />
Troubled cod. Stopped cod. Prostrated cod. 
<br />
Scornful cod. Kept under cod. Uncomely cod. 
<br />
Dishonest cod. Stubborn cod. Naughty cod. 
<br />
Reproved cod. Ground cod. Laid flat cod. 
<br />
Cocketed cod. Retchless cod. Suffocated cod. 
<br />
Filthy cod. Weather-beaten cod. Held down cod. 
<br />
Shred cod. Flayed cod. Barked cod. 
<br />
Chawned cod. Bald cod. Hairless cod. 
<br />
Short-winded cod. Tossed cod. Flamping cod. 
<br />
Branchless cod. Flapping cod. Hooded cod. 
<br />
Chapped cod. Cleft cod. Wormy cod. 
<br />
Failing cod. Meagre cod. 
<br />
Deficient cod. Dumpified cod. Faulty cod. 
<br />
Lean cod. Suppressed cod. Bemealed cod. 
<br />
Consumed cod. Hagged cod. Mortified cod. 
<br />
Used cod. Jawped cod. Scurvy cod. 
<br />
Puzzled cod. Havocked cod. Bescabbed cod. 
<br />
Allayed cod. Astonished cod. Torn cod. 
<br />
Spoiled cod. Dulled cod. Subdued cod. 
<br />
Clagged cod. Slow cod. Sneaking cod. 
<br />
Palsy-stricken cod. Plucked up cod. Bare cod. 
<br />
Amazed cod. Constipated cod. Swart cod. 
<br />
Bedunsed cod. Blown cod. Smutched cod. 
<br />
Extirpated cod. Blockified cod. Raised up cod. 
<br />
Banged cod. Pommelled cod. Chopped cod. 
<br />
Stripped cod. All-to-bemauled cod. Flirted cod. 
<br />
Hoary cod. Fallen away cod. Blained cod. 
<br />
Blotted cod. Stale cod. Rensy cod. 
<br />
Sunk in cod. Corrupted cod. Frowning cod. 
<br />
Ghastly cod. Beflowered cod. Limping cod. 
<br />
Unpointed cod. Amated cod. Ravelled cod. 
<br />
Beblistered cod. Blackish cod. Rammish cod. 
<br />
Wizened cod. Underlaid cod. Gaunt cod. 
<br />
Beggar-plated cod. Loathing cod. Beskimmered cod. 
<br />
Douf cod. Ill-filled cod. Scraggy cod. 
<br />
Clarty cod. Bobbed cod. Lank cod. 
<br />
Lumpish cod. Mated cod. Swashering cod. 
<br />
Abject cod. Tawny cod. Moiling cod. 
<br />
Side cod. Whealed cod. Swinking cod. 
<br />
Choked up cod. Besmeared cod. Harried cod. 
<br />
Backward cod. Hollow cod. Tugged cod. 
<br />
Prolix cod. Pantless cod. Towed cod. 
<br />
Spotted cod. Guizened cod. Misused cod. 
<br />
Crumpled cod. Demiss cod. Adamitical cod. 
<br />
Frumpled cod. Refractory cod."
</p>
        </blockquote>
        <p>
Rabelais is also famous for his list of apocryphal books, of which here are a few:
</p>
        <blockquote>
          <p>
In his abode there he found the library of St. Victor a very stately and magnific
one, especially in some books which were there, of which followeth the Repertory and
Catalogue, Et primo,
</p>
          <p>
The for Godsake of Salvation. 
<br />
The Codpiece of the Law. 
<br />
The Slipshoe of the Decretals. 
<br />
The Pomegranate of Vice. 
<br />
The Clew-bottom of Theology. 
<br />
The Duster or Foxtail-flap of Preachers, composed by Turlupin. 
<br />
The Churning Ballock of the Valiant. 
<br />
The Henbane of the Bishops. 
<br />
Marmotretus de baboonis et apis, cum Commento Dorbellis. 
<br />
Decretum Universitatis Parisiensis super gorgiasitate muliercularum 
<br />
  ad placitum. 
<br />
The Apparition of Sancte Geltrude to a Nun of Poissy, being in 
<br />
  travail at the bringing forth of a child. 
<br />
Ars honeste fartandi in societate, per Marcum Corvinum (Ortuinum). 
<br />
The Mustard-pot of Penance. 
<br />
The Gamashes, alias the Boots of Patience. 
<br />
Formicarium artium. 
<br />
De brodiorum usu, et honestate quartandi, per Sylvestrem Prioratem 
<br />
  Jacobinum. 
<br />
The Cosened or Gulled in Court. 
<br />
The Frail of the Scriveners. 
<br />
The Marriage-packet. 
<br />
The Cruizy or Crucible of Contemplation. 
<br />
The Flimflams of the Law. 
<br />
The Prickle of Wine. 
<br />
The Spur of Cheese. 
<br />
Ruboffatorium (Decrotatorium) scholarium. 
<br />
Tartaretus de modo cacandi. 
<br />
The Bravades of Rome. 
<br />
Bricot de Differentiis Browsarum. 
<br />
The Tailpiece-Cushion, or Close-breech of Discipline. 
<br />
The Cobbled Shoe of Humility. 
<br />
The Trivet of good Thoughts. 
<br />
The Kettle of Magnanimity. 
<br />
The Cavilling Entanglements of Confessors. 
<br />
The Snatchfare of the Curates. 
<br />
Reverendi patris fratris Lubini, provincialis Bavardiae, de gulpendis 
<br />
  lardslicionibus libri tres. 
<br />
Pasquilli Doctoris Marmorei, de capreolis cum artichoketa comedendis, 
<br />
  tempore Papali ab Ecclesia interdicto. 
<br />
The Invention of the Holy Cross, personated by six wily Priests. 
<br />
The Spectacles of Pilgrims bound for Rome. 
<br />
Majoris de modo faciendi puddinos. 
<br />
The Bagpipe of the Prelates. 
<br />
Beda de optimitate triparum. 
<br />
The Complaint of the Barristers upon the Reformation of Comfits. 
<br />
The Furred Cat of the Solicitors and Attorneys. 
<br />
Of Peas and Bacon, cum Commento. 
<br />
The Small Vales or Drinking Money of the Indulgences. 
<br />
Praeclarissimi juris utriusque Doctoris Maistre Pilloti, &amp;c., 
<br />
  Scrap-farthingi de botchandis glossae Accursianae Triflis repetitio 
<br />
  enucidi-luculidissima. 
<br />
Stratagemata Francharchiaeri de Baniolet. 
<br />
Carlbumpkinus de Re Militari cum Figuris Tevoti. 
<br />
De usu et utilitate flayandi equos et equas, authore Magistro nostro 
<br />
  de Quebecu. 
<br />
The Sauciness of Country-Stewards. 
<br />
M.N. Rostocostojambedanesse de mustarda post prandium servienda, 
<br />
  libri quatuordecim, apostillati per M. Vaurillonis. 
<br />
The Covillage or Wench-tribute of Promoters. 
<br />
(Jabolenus de Cosmographia Purgatorii.) 
<br />
Quaestio subtilissima, utrum Chimaera in vacuo bonbinans possit 
<br />
  comedere secundas intentiones; et fuit debatuta per decem 
<br />
  hebdomadas in Consilio Constantiensi. 
<br />
The Bridle-champer of the Advocates. 
<br />
Smutchudlamenta Scoti. 
<br />
The Rasping and Hard-scraping of the Cardinals. 
<br />
De calcaribus removendis, Decades undecim, per M. Albericum de Rosata. 
<br />
Ejusdem de castramentandis criminibus libri tres. 
<br />
The Entrance of Anthony de Leve into the Territories of Brazil. 
<br />
(Marforii, bacalarii cubantis Romae) de peelandis aut unskinnandis 
<br />
  blurrandisque Cardinalium mulis. 
<br />
The said Author's Apology against those who allege that the Pope's 
<br />
  mule doth eat but at set times. 
<br />
Prognosticatio quae incipit, Silvii Triquebille, balata per M.N., the 
<br />
  deep-dreaming gull Sion. 
<br />
Boudarini Episcopi de emulgentiarum profectibus Aeneades novem, 
<br />
  cum privilegio Papali ad triennium et postea non. 
<br />
The Shitabranna of the Maids. 
<br />
The Bald Arse or Peeled Breech of the Widows. 
<br />
The Cowl or Capouch of the Monks. 
<br />
The Mumbling Devotion of the Celestine Friars. 
<br />
The Passage-toll of Beggarliness. 
<br />
The Teeth-chatter or Gum-didder of Lubberly Lusks. 
<br />
The Paring-shovel of the Theologues. 
<br />
The Drench-horn of the Masters of Arts. 
<br />
The Scullions of Olcam, the uninitiated Clerk. 
<br />
Magistri N. Lickdishetis, de garbellisiftationibus horarum canonicarum, 
<br />
  libri quadriginta. 
<br />
Arsiversitatorium confratriarum, incerto authore. 
<br />
The Gulsgoatony or Rasher of Cormorants and Ravenous Feeders. 
<br />
The Rammishness of the Spaniards supergivuregondigaded by Friar Inigo. 
<br />
The Muttering of Pitiful Wretches. 
<br />
Dastardismus rerum Italicarum, authore Magistro Burnegad. 
<br />
R. Lullius de Batisfolagiis Principum. 
<br />
Calibistratorium caffardiae, authore M. Jacobo Hocstraten hereticometra. 
<br />
Codtickler de Magistro nostrandorum Magistro nostratorumque beuvetis, 
<br />
  libri octo galantissimi. 
<br />
The Crackarades of Balists or stone-throwing Engines, Contrepate 
<br />
  Clerks, Scriveners, Brief-writers, Rapporters, and Papal 
<br />
  Bull-despatchers lately compiled by Regis. 
<br />
A perpetual Almanack for those that have the gout and the pox. 
<br />
Manera sweepandi fornacellos per Mag. Eccium. 
<br />
The Shable or Scimetar of Merchants. 
<br />
The Pleasures of the Monarchal Life. 
<br />
The Hotchpot of Hypocrites. 
<br />
The History of the Hobgoblins. 
<br />
The Ragamuffinism of the pensionary maimed Soldiers. 
<br />
The Gulling Fibs and Counterfeit shows of Commissaries. 
<br />
The Litter of Treasurers. 
<br />
The Juglingatorium of Sophisters. 
<br />
Antipericatametanaparbeugedamphicribrationes Toordicantium. 
<br />
The Periwinkle of Ballad-makers. 
<br />
The Push-forward of the Alchemists. 
<br />
The Niddy-noddy of the Satchel-loaded Seekers, by Friar Bindfastatis. 
<br />
The Shackles of Religion. 
<br />
The Racket of Swag-waggers. 
<br />
The Leaning-stock of old Age. 
<br />
The Muzzle of Nobility. 
<br />
The Ape's Paternoster. 
<br />
The Crickets and Hawk's-bells of Devotion. 
<br />
The Pot of the Ember-weeks. 
<br />
The Mortar of the Politic Life. 
<br />
The Flap of the Hermits. 
<br />
The Riding-hood or Monterg of the Penitentiaries. 
<br />
The Trictrac of the Knocking Friars. 
<br />
Blockheadodus, de vita et honestate bragadochiorum. 
<br />
Lyrippii Sorbonici Moralisationes, per M. Lupoldum. 
<br />
The Carrier-horse-bells of Travellers. 
<br />
The Bibbings of the tippling Bishops. 
<br />
Dolloporediones Doctorum Coloniensium adversus Reuclin. 
<br />
The Cymbals of Ladies. 
<br />
The Dunger's Martingale. 
<br />
Whirlingfriskorum Chasemarkerorum per Fratrem Crackwoodloguetis. 
<br />
The Clouted Patches of a Stout Heart. 
<br />
The Mummery of the Racket-keeping Robin-goodfellows. 
<br />
Gerson, de auferibilitate Papae ab Ecclesia. 
<br />
The Catalogue of the Nominated and Graduated Persons. 
<br />
Jo. Dytebrodii, terribilitate excommunicationis libellus acephalos. 
<br />
Ingeniositas invocandi diabolos et diabolas, per M. Guingolphum. 
<br />
The Hotchpotch or Gallimaufry of the perpetually begging Friars. 
<br />
The Morris-dance of the Heretics. 
<br />
The Whinings of Cajetan. 
<br />
Muddisnout Doctoris Cherubici, de origine Roughfootedarum, et 
<br />
  Wryneckedorum ritibus, libri septem. 
<br />
Sixty-nine fat Breviaries. 
<br />
The Nightmare of the five Orders of Beggars. 
<br />
The Skinnery of the new Start-ups extracted out of the fallow-butt, 
<br />
  incornifistibulated and plodded upon in the angelic sum. 
<br />
The Raver and idle Talker in cases of Conscience. 
<br />
The Fat Belly of the Presidents. 
<br />
The Baffling Flouter of the Abbots. 
<br />
Sutoris adversus eum qui vocaverat eum Slabsauceatorem, et quod 
<br />
  Slabsauceatores non sunt damnati ab Ecclesia. 
<br />
Cacatorium medicorum. 
<br />
The Chimney-sweeper of Astrology. 
<br />
Campi clysteriorum per paragraph C. 
<br />
The Bumsquibcracker of Apothecaries. 
<br />
The Kissbreech of Chirurgery. 
<br />
Justinianus de Whiteleperotis tollendis. 
<br />
Antidotarium animae. 
<br />
Merlinus Coccaius, de patria diabolorum. 
<br />
The Practice of Iniquity, by Cleuraunes Sadden. 
<br />
The Mirror of Baseness, by Radnecu Waldenses. 
<br />
The Engrained Rogue, by Dwarsencas Eldenu. 
<br />
The Merciless Cormorant, by Hoxinidno the Jew.
</p>
        </blockquote>
        <p>
I wonder if Nancy Davolio has read any of these books.
</p>
        <p>
If you happen to be curious about some of the Latin titles, the <em>Decretum Universitatis
Parisiensis super gorgiasitate muliercularum ad placitum</em> translates as <u>The
Decree of the University of Paris which Permits Young Ladies to Bare Their Throats
at Will</u>.   <em>Campi clysteriorum per </em>is <u>The Field of Enemas</u>. 
The<em> Cacatorium medicorum</em> is <u>The Doctor's Chamberpot</u>.
</p>
        <p>
There are also apocryphal computer books, of course, which, oddly enough, I have the
feeling I have read before.  <a href="http://en.wikipedia.org/wiki/Graham_Nelson" target="_blank">Graham
Nelson</a> cites <u>Tedium and Gnawfinger's Elements of Batch Processing in COBOL-66:
third edition</u> and <u>Mr Blobby's Blobby Book of Computer Fun</u> (h/t @ <a href="http://www.zenoli.net/" target="_blank">Paul</a>).
</p>
        <p>
I might also add to the list <u>The Complete Idiot's Guide to Multithreaded Applications</u>, <u>How
Agile Will Make You So Productive The Code Will Write Itself</u>, and <u>Essential
Project Management: Lying to the people under you, Lying to the people above you,
and Making it all work out</u>.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=091e2c91-fe9b-4f09-a06d-a9c5a92fc4f5" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Whither Ajax?</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/WhitherAjax.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,79ec2050-f5ed-428c-8d8f-f2aa2890d2b4.aspx</id>
    <published>2008-07-03T17:34:33-07:00</published>
    <updated>2008-07-05T11:40:50.3185744-07:00</updated>
    <category term="Ajax" label="Ajax" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Ajax.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="244" alt="ajax" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/WhitherAjax_933C/ajax_3.jpg" width="177" border="0" />
        </p>
        <blockquote>
          <p>
            <em>Ajax, the fleet son of Oileus, commanded the Locrians. He was not so great, nor
nearly so great, as Ajax the son of Telamon. He was a little man, and his breastplate
was made of linen, but in use of the spear he excelled all the Hellenes and the Achaeans.
--<u>The Iliad</u></em>
          </p>
        </blockquote>
        <p>
Ajax son of Oileus is traditionally called Ajax the Lesser, while Ajax Telamon's son
is Ajax the Greater.  The Trojan War  is often portrayed as a battle between
the national heroes of two great armies, Hector on one side, and Achilles on the other. 
What makes the arraying of the sides peculiar is that, in fact, the Achaeans have
two heroes that can defeat the war chief of the Trojans.  Both Achilles and Ajax
the Greater are superior warriors to Hector.  This feature was actually a giveaway
to many classicists back in 1959 that the newly released western <a href="http://www.imdb.com/title/tt0053434/" target="_blank">Warlock</a> was
based on <em>The Iliad</em>.
</p>
        <p>
Two years ago Microsoft began a campaign to carve out a niche in the Ajax world. 
They did so with the release of .NET 3.0 and later .NET 3.5.  One of the innovated
approaches they took to being a player in Ajax was to support an open source project
called the <a href="http://www.asp.net/ajax/ajaxcontroltoolkit/samples/" target="_blank">Ajax
Control Toolkit</a>.
</p>
        <p>
According to one of the contributors to the Toolkit, however, there have been no releases
of the Toolkit for five months, and apparently no suggestions of any plans for the
Toolkit:  <a title="http://forums.asp.net/t/1283218.aspx" href="http://forums.asp.net/t/1283218.aspx">http://forums.asp.net/t/1283218.aspx</a> .
</p>
        <p>
So is the Toolkit dead?  Is Microsoft's determination to be a player in the Ajax
domain waned, to be replaced by a greater interest in making <a href="http://silverlight.net/default.aspx" target="_blank">Silverlight</a> the
Flash-killer?
</p>
        <p>
Microsoft says no, and has published a new document explaining Microsoft's Ajax roadmap  <a title="http://www.codeplex.com/aspnet/Release/ProjectReleases.aspx?ReleaseId=14924" href="http://www.codeplex.com/aspnet/Release/ProjectReleases.aspx?ReleaseId=14924">http://www.codeplex.com/aspnet/Release/ProjectReleases.aspx?ReleaseId=14924</a>. 
When it comes to <a href="http://en.wikipedia.org/wiki/Rich_Internet_application" target="_blank">RIAs</a>,
Microsoft is insisting that it is going forward with both Silverlight and Ajax.  
</p>
        <p>
The specifics about the Toolkit are admittedly vague, however.  Somewhat more
peculiar, a check of the contributors to the Toolkit project on Codeplex shows that
at least half of them have not checked in any code for the past 60 days.
</p>
        <p>
Which leads one to wonder: is ASP.NET AJAX named after Ajax son of Oileus, or Ajax
son of Telamon?
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=79ec2050-f5ed-428c-8d8f-f2aa2890d2b4" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>My Co-Worker is Certified</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/MyCoWorkerIsCertified.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,30b4741d-bd75-42f5-bb03-129504c4277a.aspx</id>
    <published>2008-07-01T07:44:51.3763464-07:00</published>
    <updated>2008-07-01T07:45:58.6732214-07:00</updated>
    <category term="Recommended" label="Recommended" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Recommended.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="244" alt="borat" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/MyCoWorkerisCertified_971E/borat_3.jpg" width="212" border="0" />
        </p>
        <p>
Joe DeCarlo, a colleague from my Turner Broadcasting days, was recently awarded the
MCA.  That is, he is now a <a href="http://www.microsoft.com/learning/mcp/architect/default.mspx" target="_blank">Microsoft
Certified Architect</a>.  Kirk Evans posted an interview with him about the program <a href="http://blogs.msdn.com/kaevans/archive/2008/06/30/joe-decarlo-on-the-microsoft-certified-architect-program.aspx" target="_blank">here</a>. 
It is a difficult program to get into, and requires a recommendation from at least
one MCA, as well as vetting by other MCA's.  They are a rather elite circle of
professionals with a strong interest in maintaining the high standards of excellence
of their self-selecting club.   Hats off to Joe for making it.
</p>
        <p>
While articulating what an architect's specific role in a company actually is can
be difficult -- which is one of the reasons Microsoft began this program -- the outlines
are fairly simple.  The architect is there to make sure that the contractors
don't screw you when you need some work done on your house, or when you need a new
enterprise application built for your company.  Anything beyond that, like making
sure the roof doesn't fall in once you start running a million transactions a day
through your new edifice, is gravy.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=30b4741d-bd75-42f5-bb03-129504c4277a" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Fingerprint Scanner Interferes with Media Player Extender</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/FingerprintScannerInterferesWithMediaPlayerExtender.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,c80e891d-31e6-47b4-a928-0594c89fdc41.aspx</id>
    <published>2008-06-30T12:09:17-07:00</published>
    <updated>2008-07-01T05:12:19.8294714-07:00</updated>
    <category term="Recipe" label="Recipe" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Recipe.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="144" alt="fingerprint" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/FingerprintScannerInterfereswithMediaPla_7358/fingerprint_3.jpg" width="139" border="0" />
        </p>
        <p>
Microsoft has a technology called <a href="http://www.microsoft.com/windows/products/winfamily/mediacenter/default.mspx" target="_blank">Media
Center Extender</a> that basically allows you to use your XBOX 360 as a media center. 
All that's required is that you have a computer connected to your XBOX over a network
with the Media Center software installed (it comes standard with Vista Premier) and
turned on.  The XBOX can then be used to play movies and music files located
on your harddrive.
</p>
        <p>
I haven't looked at this much until recently, when I found out about <a href="http://myweb.cableone.net/eluttmann04/projects/vmcNetFlix/default.htm" target="_blank">vmcNetFlix</a>. 
vmcNetFlix is one of those great ideas.  The developer saw that NetFlix was allowing
subscribers to download movies to their desktops, and that Microsoft was allowing
people to stream movies to their TV's through an XBOX, and he put in the final pieces
to connect all of this together.  vmcNetFlix has its issues at times, but hey,
it's one guy providing a solution on his own time and it's free.
</p>
        <p>
Before I could get any of this working, however, I had to get my very sweet HP entertainment
laptop to talk to my XBOX, and kept running into the same issues with the XBOX complaining
that it could not connect the media center extender to my laptop, despite my repeated
attempts to reboot both systems and clear out caches and certificates and blowing
on both ends of my ethernet cable for no particular reason except that some guy on
some newsgroup told me to.
</p>
        <p>
Finally, based on another internet tip, I uninstalled the nice biometric software
that came with my laptop and everything started working.  For whatever reason,
every piece of biometric software, which allows you to scan in your fingerprint to
identify yourself to the operating system rather than type in a password, interferes
with Media Center.  I was using <a href="http://www.digitalpersona.com/" target="_blank">DigitalPersona</a>,
but it appears that the problem is not unique to them.
</p>
        <p>
So now the fingerprint scanner on my laptop doesn't do anything.  This is because
it turned out to be a technological bottleneck.  On the other hand, I can now
stream movies, including BlueRay movies, to my HD TV anytime I want using free technology
built in someone's basement that removes bottlenecks.  Is it worth it?
</p>
        <p>
Well, yes. Not only can I watch any episode of Buck Rogers in the 25th century whenever
I want, but I've also got most of the Werner Herzog and Rainer Werner Fassbinder catalogs
ready for instant streaming.  That's hot.  That's <em>Erin Grey</em> hot.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=c80e891d-31e6-47b4-a928-0594c89fdc41" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Beyond Good and Endpoints</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/BeyondGoodAndEndpoints.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,9f20413f-d890-43a5-b4e0-c96eb786c645.aspx</id>
    <published>2008-06-23T18:41:50-07:00</published>
    <updated>2008-06-22T11:46:25.2566664-07:00</updated>
    <category term="WCF" label="WCF" scheme="http://www.imaginativeuniversal.com/CategoryView,category,WCF.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="244" alt="beyonder" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/BeyondGoodandEndpoints_DCE8/beyonder_3.png" width="164" border="0" />
        </p>
        <p>
Two important WCF resources came out last week.  The first is the source code
for StockTrader 2.0, Microsoft's reference app for .NET 3.5 using, in particular,
CF and PF.  The download is available here <a href="http://msdn.microsoft.com/en-us/netframework/bb499684.aspx" target="_blank">http://msdn.microsoft.com/en-us/netframework/bb499684.aspx</a>. 
This is fairly significant since there are not (as far as I have been able to tell)
any guidelines generally available on how to build a distributed application using
the Communications Foundation.  In the project I am currently working on, we
have been trying and stopping as we go, trading frequent emails with various Microsoft
insiders to try to find out if what we are doing makes sense (so far it has).  
</p>
        <p>
Now we have the opportunity to compare our app against StockTrader and see where the
differences lie.  I'm not sure if this is an artifice or not, but I like being
able to take two ideas and decide which one better as I work through an architecture. 
This is a necessary exercise in working towards the "right" architecture. 
The approach resembles, in some ways, the Mirror of Nature that Richard Rorty made
his name on attacking, except that it is concerned with practice rather than with
epistemology.  I think that there is a right way to do things of which I am unaware. 
To use Don Rumsfeld's memorable phrase, it is one of the things I know I don't know. 
I then work, through trial and error as well as a comparison of alternatives, towards
an intellectual representation of what that correct way of getting things done might
be.  
</p>
        <p>
I've talked to other developers who feel that speaking about the "right way"
to do things is simply a trap we all fall into or, worse, a fiction that serves only
to generate artificial conflicts and slow down actual development.  As one developer
told me, "There are many arguments on either side of any issue, and we're not
going to be able to resolve here which ones are better, since we come to it with preconceptions
and prejudices we can't get over easily."  While visiting my brother at
college once, I attended a lecture in which Alan Dershowitz, the civil rights lawyer,
argued very much the same case.  He insisted that he could go about seven levels
behind any argument, and then seven levels behind the case against him.  The
peeling of levels (usually it only takes two or three) gives the false impression
that we are actually getting to the bottom of things, whereas Dershowitz himself had
reached the point in his career where he felt it was merely an exercise in cleverness
for lawyers and for philosophers an exercise in futility. 
</p>
        <p>
This may all be true, and yet I feel I need this fiction, if it is a fiction, in order
to do my job well.
</p>
        <p>
The second important release this week is Juval Lowy's presention on WCF: <a href="http://go.microsoft.com/?linkid=9062694" target="_blank"><em>Beyond
the Endpoints</em></a><em> </em>(you will need to have Microsoft Live Meeting
installed to listen to it).  In this presentation you will come to realize what
many people already know: Mr. Lowy is either a genius or a madman, and had he lived
in another era, he would have made a good Jules <a href="http://en.wikipedia.org/wiki/Captain_Nemo" target="_blank">Verne</a><a href="http://en.wikipedia.org/wiki/Robur_the_Conqueror" target="_blank">villain</a>. 
Based on his WCF <a href="http://www.amazon.com/Programming-WCF-Services-Juval-Lowy/dp/0596526997/ref=pd_bbs_sr_2?ie=UTF8&amp;s=books&amp;qid=1214158446&amp;sr=8-2" target="_blank">book</a>,
I had taken his position to be that CF solves many distributed programming problems,
and in the big picture serves as the fulfillment (or successor) to component based
programming -- the notion that based upon common and established conventions we can
pass messages between disparate technologies.
</p>
        <p>
In <em>Beyond the Endpoints</em>, Mr. Lowy tops even those grand pronouncements. 
Here he argues that CF is actually the successor to all of our current .NET programming
conventions in C# and VB.NET, and is in fact a new programming model.  With specific
examples from the Singleton pattern to class level isolation, he demonstrates various
low level ways in which WCF provides better ways to do our most common programming
tasks.  He makes clear in the Q&amp;A session afterwards that he basically sees
something in CF that even Microsoft doesn't see in their technology.  His vision
for WCF veers wildly away from Microsoft's vision.  When asked what the performance
penalty for using CF as a programming model would be, he insists that sending messages
over a wire in WCF is actually <em>faster</em> than working with traditional in-proc
objects (given certain unspecified conditions).  Moreover, the performance cost
is irrelevant.  Mr. Lowy appeals to history in order to explain his vision for
CF.  COM, for instance, started off as simply a way to embed files inside of
Microsoft Word documents.  In order to get Object Linking and Embedding to work,
however, Microsoft's engineers were oblige to solve fundamental problems that in turn
produced what we now know as COM.  CF, for Juval Lowy, is headed very much along
the same track.
</p>
        <p>
It is a truly amazing presentation, ambitious in scope and broad in vision, and I
highly recommend it to anyone interested in the inherent potential of the Communications
Foundation.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=9f20413f-d890-43a5-b4e0-c96eb786c645" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Gone Daddy Gone</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/GoneDaddyGone.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,6fc3fb87-26c8-4d72-b18c-cfb2e49500ec.aspx</id>
    <published>2008-06-22T04:04:50-07:00</published>
    <updated>2008-06-21T21:05:28.7598464-07:00</updated>
    <category term="Phenomenology of Spirit" label="Phenomenology of Spirit" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Phenomenology%2Bof%2BSpirit.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="244" alt="vfemmes_album" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/GoneDaddyGone_143/vfemmes_album_3.jpg" width="231" border="0" />
        </p>
        <p>
Here's <em><a href="http://www.youtube.com/watch?v=KZXhlwYOyLw" target="_blank">Gone
Daddy Gone</a></em> performed by the<em> Violent Femmes</em> back in 1982.  
Gnarls Barkeley covered it in 2006.  Here's their <a href="http://www.youtube.com/watch?v=mZbeiXZVWbM" target="_blank">video</a> of
the song.  The lyrics are based on a Muddy Waters classic, <em>I Just Want To
Make Love To You</em>, YouTube videos for which are available in both <a href="http://www.youtube.com/watch?v=624TSks9IYQ" target="_blank">risque</a> and <a href="http://www.youtube.com/watch?v=RnlvHP1AXPo" target="_blank">non-risque</a> versions,
penned by <a href="http://en.wikipedia.org/wiki/Willie_Dixon" target="_blank">Willie
Dixon</a>.
</p>
        <p>
The <em>Femmes </em>have recently returned the favor with a cover of Gnarls Barkeley's <a href="http://www.myspace.com/violentandcrazy" target="_blank">Crazy</a>.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=6fc3fb87-26c8-4d72-b18c-cfb2e49500ec" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>PBS Sprout and The Hated</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/PBSSproutAndTheHated.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,62d49497-3bf2-415c-af74-39a12ebfcf55.aspx</id>
    <published>2008-06-20T11:58:06.8269864-07:00</published>
    <updated>2008-06-20T12:00:45.0613614-07:00</updated>
    <category term="Theater of Memory" label="Theater of Memory" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Theater%2Bof%2BMemory.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="123" alt="caillou" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/PBSSproutandTheHated_813A/caillou_3.jpg" width="89" border="0" />
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="123" alt="bob" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/PBSSproutandTheHated_813A/bob_3.jpg" width="123" border="0" />
        </p>
        <p>
So this is how I start the day when I work from home.  I wake up at 5 in the
morning, after which I have about 3 hours before anyone else is up.  At 8, the
kids start filtering down from upstairs, so I turn PBS Sprout on for them and move
from the living room to my office.  PBS Sprout is PBS's lineup of children's
shows, and our cable provider gives us On Demand access to the episodes, which allows
the kids to watch their shows without commercials (oh yes, <a href="http://ask.metafilter.com/16084/Why-does-PBS-have-commercials" target="_blank">PBS
does have commercials</a>).  My children (at least the youngest) has a fondness
for a bald toddler named <em>Caillou</em>.  According to the <a href="http://pbskids.org/caillou/" target="_blank">official
site</a>, "the <b>Caillou</b> website and television series features everyday
experiences and events that resonate with all children."   I think
most parents find him a bit disturbing -- but not as disturbing as <a href="http://pbskids.org/teletubbies/teletubbyland.html" target="_blank">Teletubbies</a>,
of course.
</p>
        <p>
Before <em>Caillou</em> came on today there was a brief intro for PBS Sprout, and
in the background was an interesting rendition of <a href="http://www.bobmarley.com/" target="_blank">Bob
Marley's</a><em><a href="http://www.lyricsfreak.com/b/bob+marley/three+little+birds_20021728.html" target="_blank">Three
Little Birds</a></em> which brought back a flood of memories.  The version of
the song played by PBS Sprout is by Elizabeth Mitchell.  No, not that <a href="http://elizabeth-mitchell.net/" target="_blank">Elizabeth
Mitchell</a>.  This <a href="http://www.amazon.com/You-Are-My-Little-Bird/dp/B000GKZN9M" target="_blank">Elizabeth
Mitchell</a>.
</p>
        <p>
Elizabeth Mitchell is married to Daniel Littleton, and in fact Daniel and their son
perform on that particular Marley track.  Dan Littleton, in turn, used to play
in a punk rock band in Annapolis, Maryland where I went to college.  For my first
few years on campus, I used to find chalk drawings all over the sidewalks of Annapolis
of <a href="http://en.wikipedia.org/wiki/The_Hated" target="_blank"><em>The Hated</em></a> without
knowing what it meant.  Then Dan Littleton ended up going to my college (he was
a faculty brat, after all) and it all became clear.
</p>
        <p>
Not only that, but I used to hang out with Mark Fisher, who had played guitar and
vocals for <em>The Hated</em>, though by the time I met him he was wearing tweed jackets
and translating Greek (I think I did the <a href="http://classics.mit.edu/Sophocles/philoct.html" target="_blank">Philoctetes</a> with
him), so I never suspected.
</p>
        <p>
And <em>mutatis mutandis</em>, now not only has Bob Marley been gentrified for daytime
cartoons, but the founder of <em>The Hated </em>has helped to make it possible. 
Is this what middle-age feels like?  
</p>
        <p>
Hear for yourself.
</p>
        <p>
          <a href="http://www.last.fm/music/Bob+Marley/+videos/+1-oPgt7ZWtM9A" target="_blank">Bob
Marley and the Wailers</a> 
</p>
        <p>
          <a href="http://www.imeem.com/littlebubble2000/music/bNPCeJWk/elizabeth_mitchell_three_little_birds/" target="_blank">Elizabeth
Mitchell and family</a>
        </p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=62d49497-3bf2-415c-af74-39a12ebfcf55" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Software Development and the Occult</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/SoftwareDevelopmentAndTheOccult.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,2e25ec62-0f62-4145-b0e0-b1032ffc5bef.aspx</id>
    <published>2008-06-15T13:19:18.9613364-07:00</published>
    <updated>2008-06-15T13:54:30.6644614-07:00</updated>
    <category term="Rosicrucian Brotherhood" label="Rosicrucian Brotherhood" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Rosicrucian%2BBrotherhood.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-top-width: 0px; border-left-width: 0px; border-bottom-width: 0px; border-right-width: 0px" height="172" alt="mrwizard" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/SoftwareDevelopmentandtheOccult_AEAE/mrwizard_3.jpg" width="244" border="0" />
        </p>
        <p>
Sergey Barskiy, a colleague at Magenic, likes to say that there is no magic in software
development.  There's only hard work.
</p>
        <p>
Every few months, another software management process is promoted, a new tool is developed,
or a new snowclone, "X-driven development", is coined to make software developers
more productive, and in general they all promote themselves as the magic that will
radically change the way we deliver software, and in general they don't really pan
out.  Instead we just end up with different <a href="http://www.martinfowler.com/bliki/SchoolsOfSoftwareDevelopment.html" target="_blank">schools
of software development</a>.  Physiology, metoposcopy, chiromancy, theurgia,
goetia, necromancy, cabalie, geomancy, hydromancy, aeromancy, prymancy and suffumigations
-- does one method really provide a better way to deliver software than another? 
Or should we simply pick the techniques that work best for us and stick with them? 
What is ultimately disappointing, and this is at the heart of Sergey's rule, is that
once one immerses oneself in any of these techniques, one discovers, like a teenage
goth working through Alaister Crowley's <u>Magick, Liber ABA</u>, that things don't
ever go quite quite according to plan.
</p>
        <p>
But does this mean there is no magic?  Perhaps we are looking in the wrong place.  
</p>
        <p>
Last Friday, on June 6th, Microsoft released the beta 2 of <a href="http://silverlight.net/" target="_blank">Silverlight
2</a>.  Almost immediately, several prominent bloggers published entries not
only about the release, but also full code samples demonstrating how to use the new
release.  <a href="http://weblogs.asp.net/scottgu/archive/2008/06/06/silverlight-2-beta2-released.aspx" target="_blank">Scott
Guthrie</a>, <a href="http://www.jeff.wilcox.name/2008/06/06/unit-testing-templates-for-microsoft-silverlight-2-beta-2/" target="_blank">Jeff
Wilcox</a>, <a href="http://blog.kirupa.com/?p=211" target="_blank">Kirupa Chinnathambi</a>, <a href="http://blogs.msdn.com/brada/archive/2008/06/08/silverlight-roles-profile-and-authentication-example-updated-for-silverlight-beta2-now-with-visual-state-manager-vsm-goodness.aspx" target="_blank">Brad
Abrams</a> and <a href="http://nerddawg.blogspot.com/2008/06/beta-2-of-silverlight-2-has-just.html" target="_blank">Ashish
Shetty</a> all had immediate posts (Mr. Shetty's was actually a day early), but this
is to be expected as they are all Microsoft employees closely associated with Silverlight.
</p>
        <p>
More impressively, non-Microsoft employees like <a href="http://adoguy.com/2008/06/06/Upgrading_your_Silverlight_2_Projects_to_Beta_2.aspx" target="_blank">Shawn
Wildermuth</a>, <a href="http://petermcg.wordpress.com/2008/06/10/samples-updated-to-beta2/" target="_blank">Peter
McGrattan</a>, <a href="http://wpfwonderland.wordpress.com/2008/06/06/silverlight-2-beta-2-now-with-more-controls/" target="_blank">Walt
Ritscher</a> and several others had immediate code to publish around this release. 
No amount of hard work can make that possible.  
</p>
        <p>
What is the occult, after all, but something hidden?  Even for people who once
believed in such things, metoposcopy, geomancy and chiromancy were simply techniques
for dealing with the hidden world not commonly understood.  Along with alchemy
and astrology, cryptography was once considered one of the areas of expertise of a
renaissance magus.  Both <a href="http://en.wikipedia.org/wiki/Trithemius" target="_blank">Johannes
Trithemius</a> and <a href="http://www.spamula.net/blog/2003/11/della_porta.html" target="_blank">Giambattista
Della Porta</a> wrote about it.  What made cryptography go so well with other
fields such as necromancy and hydromancy is that its secrets were possessed only by
the few, and knowledge of it helped preserve one's monopoly on secret knowledge.
</p>
        <p>
Software development is full of secrets.  Developers call what they do "coding",
for no obvious reason other than that it is generally incomprehensible to anyone but
a fellow initiate of a particular coding language.  The code, in turn, is a set
of instructions which must be translated into another code, assembly, the mystical
language of all our virtual worlds, which is actually incomprehensible to nearly everyone.
</p>
        <p>
          <a href="http://www.amazon.com/s/ref=nb_ss_b?url=search-alias%3Dstripbooks&amp;field-keywords=frances+yates" target="_blank">Dame
Francis Yates</a> called this kind of magic "practical" magic.  It
is simply a way of getting things done.  Whether one instructs a demon to sour
one's neighbor's milk, or uses chemicals to acidify it, the effect is basically the
same -- all that differs is the particular technique one employs to accomplish one's
goal.  One is clearly going to be more effective than the other, but the difference
between the <em>occult</em> and the <em>mundane</em> surely does not turn on mere
efficacy.  
</p>
        <p>
The other kind of magic is a "spiritual" magic, which is a different sort
of secret.  In a chapter entitled "113" in Umberto Eco's <u><a href="http://www.amazon.com/Foucaults-Pendulum-Umberto-Eco/dp/015603297X/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1213561329&amp;sr=8-1" target="_blank">Foucault's
Pendulum</a></u><em>, </em>Eco quotes from <a href="http://en.wikipedia.org/wiki/Ja%27far_al-Sadiq" target="_blank">Ja?far
al-?adiq</a>, the sixth Imam:
</p>
        <blockquote>
          <p>
"Our cause is a secret within a secret, a secret that only another secret can
explain; it is a secret about a secret that is veiled by a secret."
</p>
        </blockquote>
        <p>
          <em>Spiritual magic</em>, in this case, is the way one gains influence by either having
special access to secrets, or by appearing to have such access.  One begins to
be an initiate into its mysteries simply by recognizing that it exists.  In his
history of <u><a href="http://www.amazon.com/Secret-Societies-Arkon-Daraul/dp/1567312918/ref=tag_dpp_lp_edpp_ttl_in" target="_blank">Secret
Societies</a></u>, Arkon Daraul describes an actual case of a young man becoming a
Sufi:
</p>
        <blockquote>
          <p>
"His first contact with a Sufi was when he was working as a part-time assistant
in a restaurant.  Here he noticed a man among the customers who always seemed
'on top of every situation.  His methods of discussion with the people who came
into the place were so controlled, and his perception, especially of atmosphere, so
profound, that I plucked up enough courage to ask him how one did it.'"
</p>
        </blockquote>
        <p>
The initiate is then tested for suitability, and finally takes the oaths required
of him to learn more of the Sufi way.  <a href="http://en.wikipedia.org/wiki/Khoja_Ahmad_Yasavi" target="_blank">Ahmad
Yasawi</a>, a thirteenth century Sufi, laid down rules for initiates, of which the
seventh is possibly the most important.
</p>
        <blockquote>
          <p>
"Utter silence of secrets is my oath; and I will show respect for those who are
set up over me, without quibble.  I am the friend of the friends of the Order
and the Murshid who exemplifies it; the enemy of the enemies of the same."
</p>
        </blockquote>
        <p>
Today this would perhaps be called an NDA.  The rituals change over time, but
the patterns are always recognizable.
</p>
        <p>
The patterns of success are imprinted upon the human mind and its shape appears again
and again throughout history.  Secret societies exist in every field, whether
we recognize them as such or not.  I do not claim that Microsoft has such a structure,
nor do I deny it.  I only suggest that if there is any magic in software development,
this is where you will find it.
</p>
        <img width="0" height="0" src="http://www.imaginativeuniversal.com/aggbug.ashx?id=2e25ec62-0f62-4145-b0e0-b1032ffc5bef" />
        <br />
        <hr />
This weblog is sponsored by <a href="http://www.newtelligence.com">newtelligence AG</a>. 
</div>
    </content>
  </entry>
  <entry>
    <title>Extending the Ajax Control Toolkit Tab Container with Lazy Loading</title>
    <link rel="alternate" type="text/html" href="http://www.imaginativeuniversal.com/ExtendingTheAjaxControlToolkitTabContainerWithLazyLoading.aspx" />
    <id>http://www.imaginativeuniversal.com/PermaLink,guid,c5ec417d-d621-4a93-8d79-b5e5b778ccf5.aspx</id>
    <published>2008-06-13T11:35:50.6282514-07:00</published>
    <updated>2008-06-13T11:43:46.7845014-07:00</updated>
    <category term="Ajax" label="Ajax" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Ajax.aspx" />
    <category term="Programming" label="Programming" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Programming.aspx" />
    <category term="Recipe" label="Recipe" scheme="http://www.imaginativeuniversal.com/CategoryView,category,Recipe.aspx" />
    <content type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <img style="border-right: 0px; border-top: 0px; border-left: 0px; border-bottom: 0px" height="165" alt="multi-tabs" src="http://www.imaginativeuniversal.com/content/binary/WindowsLiveWriter/ExtendingtheAjaxControlToolkitTabContain_8A54/multi-tabs_3.png" width="244" border="0" />
        </p>
        <p>
 
</p>
        <p>
          <a href="http://www.imaginativeuniversal.com/codesamples/imaginativeuniversalextenders.zip" target="_blank">download
source code</a>
        </p>
        <p>
ASP.NET has been missing a good, free tab control for a long time.  With the
ACT Tab Container, we were finally given one.  It typically runs in client-side
only mode, but can interact with server-code if we set its <strong>AutoPostback</strong> property
to true.
</p>
        <p>
Compared to what we had before, it is a huge improvement.  The peculiar thing
about it, however, is that it isn't actually an Ajax control.  It doesn't use
asynchronous postbacks or web service calls to talk to the server -- instead you just
have these two mode: run it using client script only, or run it using server-side
events and code-behind only.
</p>
        <p>
So a few months ago I rectified this for a project, and only found out afterwards
that Matt Berseth had already outlined the technique on his <a href="http://mattberseth.com/blog/2007/07/how_to_lazyload_tabpanels_with.html" target="_blank">blog</a>. 
You basically run the tab container in client-side mode, and add update panels to
the tab panels that you want to be ajaxy.  You then hook up the client-side ActivePageChanged
event in such a way that it spoofs the Update Panel contained in the tab, causing
an asynchronous (or partial) postback.
</p>
        <p>
Matt also gave this technique a cool name.  He called it 'lazy loading the tab
panel'.  Like lazy loading in OOP, using this technique the update panels inside
each tab panel only do something when its tab is selected.  Information is loaded
only when its needed, and not before.
</p>
        <p>
I must admit that I hold some resentment against Matt for coming up with this first,
and for coming up with the cool moniker for it.  On the other hand, the solution
I came up with encapsulates all of the javascript needed for this into a nice simple
extender control that you can drop on your page, which his does not, and I'm rather
proud of this.
</p>
        <p>
The VS 2008 project for this extender is linked at the top of this post.  To
use it, you need to compile the project and add the compiled assembly to your project,
or else just add the project to your solution and add a project reference.
</p>
        <p>
1. Drop the TabContainerExtender control into your page.
</p>
        <p>
2. Set the Extender's <strong>TargetControlID</strong> property to your TabContainer's
ID.
</p>
        <p>
3. In the RegisterUpdatePanels element of the Extender, map your tabs to your update
panels.  This mapping tells the extender which Update Panels to activate when
each tab is selected.
</p>
        <p>
Your markup will look something like this:
</p>
        <blockquote>
          <!-- code formatted by http://manoli.net/csharpformat/ -->
          <style type="text/css">





.csharpcode, .csharpcode pre
{
	font-size: small;
	color: black;
	font-family: consolas, "Courier New", courier, monospace;
	background-color: #ffffff;
	/*white-space: pre;*/
}

.csharpcode pre { margin: 0em; }

.csharpcode .rem { color: #008000; }

.csharpcode .kwrd { color: #0000ff; }

.csharpcode .str { color: #006080; }

.csharpcode .op { color: #0000c0; }

.csharpcode .preproc { color: #cc6633; }

.csharpcode .asp { background-color: #ffff00; }

.csharpcode .html { color: #800000; }

.csharpcode .attr { color: #ff0000; }

.csharpcode .alt 
{
	background-color: #f4f4f4;
	width: 100%;
	margin: 0em;
}

.csharpcode .lnum { color: #606060; }</style>
          <pre class="csharpcode">
            <span class="kwrd">&lt;</span>
            <span class="html">cc2:TabContainerExtender</span>
            <span class="attr">ID</span>
            <span class="kwrd">="TabContainerExtender1"</span>
            <span class="attr">runat</span>
            <span class="kwrd">="server"</span>
            <span class="attr">TargetControlID</span>
            <span class="kwrd">="TabContainer1"</span>
            <span class="attr">OnActiveTabChanged</span>
            <span class="kwrd">="ActiveTabChanged"</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">RegisterUpdatePanels</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">cc2:UpdatePanelInfo</span>
            <span class="attr">TabIndex</span>
            <span class="kwrd">="0"</span>
            <span class="attr">UpdatePanelID</span>
            <span class="kwrd">="UpdatePanel1"</span>
            <span class="kwrd">/&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">cc2:UpdatePanelInfo</span>
            <span class="attr">TabIndex</span>
            <span class="kwrd">="1"</span>
            <span class="attr">UpdatePanelID</span>
            <span class="kwrd">="UpdatePanel2"</span>
            <span class="kwrd">/&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">cc2:UpdatePanelInfo</span>
            <span class="attr">TabIndex</span>
            <span class="kwrd">="2"</span>
            <span class="attr">UpdatePanelID</span>
            <span class="kwrd">="UpdatePanel3"</span>
            <span class="kwrd">/&gt;</span>
            <span class="kwrd">&lt;/</span>
            <span class="html">RegisterUpdatePanels</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;/</span>
            <span class="html">cc2:TabContainerExtender</span>
            <span class="kwrd">&gt;</span>
          </pre>
        </blockquote>
        <p>
4. If you want to add some code-behind to your active tab changed event, add set the
OnActiveTabChanged property of the Extender to the name of your handler.  The
thrown event will pass the correct Index number for the active Tab, as well as the
ID of the mapped Update Panel.  The handler's signature looks like this:
</p>
        <blockquote>
          <div style="border-right: #000000 1px groove; padding-right: 4px; border-top: #000000 1px groove; padding-left: 4px; font-size: 10pt; background: #f5f5f5; padding-bottom: 4px; border-left: #000000 1px groove; color: black; padding-top: 4px; border-bottom: #000000 1px groove; font-family: courier new">
            <p style="margin: 0px">
        <span style="color: blue">protected</span><span style="color: blue">void</span> ActiveTabChanged(<span style="color: blue">int</span> index, <span style="color: blue">string</span> panelID)
</p>
            <p style="margin: 0px">
        {
</p>
            <p style="margin: 0px">
            ...
</p>
            <p style="margin: 0px">
        }
</p>
          </div>
        </blockquote>
        <p>
I highly encourage you to read Matt Berseth's blog entry (which I have to admit is
pretty good) to get a clear idea of the techniques being applied in this ajax extender. 
If you just need a quick solution, however, feel free to download this code from the
link at the top and use it any way you like with no strings attached.  There
is a sample project attached to the solution that will demonstrate how to use the
Tab Container Extender, in case you run into any problems with lazy loading your panels.
</p>
        <p>
For reference, here is the code for the sample implementation, which loads controls
on the fly based on the tab selected:
</p>
        <blockquote>
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          <pre class="csharpcode">
            <span class="kwrd">&lt;</span>
            <span class="html">cc1:TabContainer</span>
            <span class="attr">ID</span>
            <span class="kwrd">="TabContainer1"</span>
            <span class="attr">runat</span>
            <span class="kwrd">="server"</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">cc1:TabPanel</span>
            <span class="attr">ID</span>
            <span class="kwrd">="TabPanel1"</span>
            <span class="attr">runat</span>
            <span class="kwrd">="server"</span>
            <span class="attr">HeaderText</span>
            <span class="kwrd">="Tab
Panel 1"</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">ContentTemplate</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">asp:UpdatePanel</span>
            <span class="attr">ID</span>
            <span class="kwrd">="UpdatePanel1"</span>
            <span class="attr">runat</span>
            <span class="kwrd">="server"</span>
            <span class="kwrd">&gt;</span>
            <span class="kwrd">&lt;</span>
            <span class="html">ContentTemplate</span>
            <span class="kwrd">&gt;</span> Content
1 ... <span class="kwrd">&lt;</span><span class="html">br</span><span class="kwrd">/&gt;</span><span class="kwrd">&lt;</span><span class="html">asp:PlaceHolder</span><span class="attr">ID</span><span class="kwrd">="PlaceHolder1"</span><span class="attr">runat</span><span class="kwrd">="server"</span><span class="kwrd">&gt;&lt;/</span><span class="html">asp:PlaceHolder</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">asp:UpdatePanel</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">cc1:TabPanel</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">cc1:TabPanel</span><span class="attr">ID</span><span class="kwrd">="TabPanel2"</span><span class="attr">runat</span><span class="kwrd">="server"</span><span class="attr">HeaderText</span><span class="kwrd">="Tab
Panel 2"</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">asp:UpdatePanel</span><span class="attr">ID</span><span class="kwrd">="UpdatePanel2"</span><span class="attr">runat</span><span class="kwrd">="server"</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span> Content
2 ... <span class="kwrd">&lt;</span><span class="html">br</span><span class="kwrd">/&gt;</span><span class="kwrd">&lt;</span><span class="html">asp:PlaceHolder</span><span class="attr">ID</span><span class="kwrd">="PlaceHolder2"</span><span class="attr">runat</span><span class="kwrd">="server"</span><span class="kwrd">&gt;&lt;/</span><span class="html">asp:PlaceHolder</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">asp:UpdatePanel</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;/</span><span class="html">cc1:TabPanel</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">cc1:TabPanel</span><span class="attr">ID</span><span class="kwrd">="TabPanel3"</span><span class="attr">runat</span><span class="kwrd">="server"</span><span class="attr">HeaderText</span><span class="kwrd">="Tab
Panel 3"</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">ContentTemplate</span><span class="kwrd">&gt;</span><span class="kwrd">&lt;</span><span class="html">asp:UpdatePanel</span><span class="attr">ID</span><span clas